{"title":"VIP Mastercut Eligible","description":"","products":[{"product_id":"archival-tape-edition-no-3-john-coltrane","title":"Archival Tape Edition No. 3 § John Coltrane","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"A Love Supreme\" is the most famous and successful studio album of jazz saxophonist John Coltrane and still considered his masterpiece. \u003cspan style=\"font-weight: 400;\"\u003eRecorded in December 1964 at Van Gelder Studios in Englewood Cliffs, New Jersey, USA\u003c\/span\u003e, this record has been selected from the Universal Music Archive for our Archival Tape Edition.\u003cbr\u003e\u003cbr\u003eCut directly from a completely unedited 1:1 copy of the original tape provided by Universal Music, one has never been closer to the artist, the original sound waves and music history.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand-Cut 12\" Mastercut Record\u003c\/li\u003e\n\u003cli\u003eHand-Printed Letterpress Cover Artwork\u003c\/li\u003e\n\u003cli\u003eLimited* and numbered \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn addition to the high-quality sound carrier, this edition contains valuable, partly historical accompanying documents:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Love Supreme, a Minolta EP 410Z copy of the original notes by John Coltrane\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of John Coltrane after an original photo by Bob Thiele\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of the Supersense Livingroom Studio\u003c\/li\u003e\n\u003cli\u003ePolaroid Photograph of a microscopic view of the real groove of \"Pursuance\".\u003c\/li\u003e\n\u003cli\u003eA \"How To Caress\" Info Sheet \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eOne set of white gloves for proper handling of your Mastercut\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut. An Introduction to Editions\" by Florian \"Doc\" Kaps\u003c\/li\u003e\n\u003cli\u003eNotes by the Cutting Engineer at the Supersense Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eEvery single Edition is handcrafted in the Viennese Supersense manufactory by a small team of experts in the fields of record cutting, traditional printing methods and packaging design.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003cbr\u003eJapan Cut Twin Single Side Edition: 01-50\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":56914926797131,"sku":"su12_coltrane-1","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":56914926829899,"sku":"su12_coltrane-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2021-11_09_Univesal_All_Editions_Specials_Inside_1600px-_V8A3385-014.jpg?v=1636475591"},{"product_id":"archival-tape-edition-no-1-martha-argerich","title":"Archival Tape Edition No. 1 § Martha Argerich","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eKnown for her spirited playing, the pianist Martha Argerich impressed at the tender age of seven, when she debuted with Beethoven, and continues to be a busy protagonist of the piano world. \u003c\/span\u003e\u003cspan\u003eRecorded in July 1960 at Beethovensaal in Hannover, Germany, these pieces by \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eChopin, Brahms, Prokofiev, Ravel and Liszt have \u003c\/span\u003ebeen selected from the Universal Music archive for our Archival Tape Edition.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCut directly from a completely unedited 1:1 copy of the original tape provided by Universal Music, one has never been closer to the artist, the original sound waves and music history.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand-Cut 12\" Mastercut Record\u003c\/li\u003e\n\u003cli\u003eHand-Printed Letterpress Cover Artwork\u003c\/li\u003e\n\u003cli\u003eLimited* and numbered \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn addition to the high-quality sound carrier, this edition contains valuable, partly historical accompanying documents:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the recording protocol, Deutsche Grammophon Gesellschaft. July 1960\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of Martha Argerich after an original photo by Klaus Zimmermann\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of the Supersense Livingroom Studio\u003c\/li\u003e\n\u003cli\u003ePolaroid Photograph of a microscopic view of the real groove \"Brahms Rhapsody in g minor, Op. 79 No. 2\"\u003c\/li\u003e\n\u003cli\u003eMartha Argerich. Chopin. A text by Stephen Plaistow, Grammophone June 1963. Courtesy of Martin Cullingford, Gramophone Magazine\u003c\/li\u003e\n\u003cli\u003eA \"How To Caress\" Info Sheet \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eOne set of white gloves for proper handling of your Mastercut\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut. An Introduction to Editions\" by Florian \"Doc\" Kaps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eEvery single Edition is handcrafted in the Viennese Supersense manufactory by a small team of experts in the fields of record cutting, traditional printing methods and packaging design.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eJapan Edition: 01-99\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\/\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yj6qo\" style=\"margin-top: 4em; text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":56914925355339,"sku":"su12_argerich-1","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":56914925388107,"sku":"su12_argerich-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2021-11_09_Univesal_All_Editions_Specials_Inside_1600px-_V8A3330-006.jpg?v=1636474881"},{"product_id":"archival-tape-edition-no-2-carlos-kleiber","title":"Archival Tape Edition No. 2 § Carlos Kleiber","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOne of the most important conductors of the 20th century performs Beethoven's Symphony No. 5 in C Minor with the Vienna Philharmonic. \u003cmeta charset=\"utf-8\"\u003eRecorded in the spring of 1975 at the Musikvereinssaal, Vienna, Austria.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eCut directly from a completely unedited 1:1 copy of the original tape provided by Universal Music, one has never been closer to the artist, the original sound waves and music history.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand-Cut 12\" Mastercut Record\u003c\/li\u003e\n\u003cli\u003eHand-Printed Letterpress Cover Artwork\u003c\/li\u003e\n\u003cli\u003eLimited* and numbered \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn addition to the high-quality sound carrier, this edition contains valuable, partly historical accompanying documents:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the original recording protocol, Deutsche Grammophon Gesellschaft, June 7, 1974\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of Carlos Kleiber after an original photo by Gabriela Brandenstein\u003c\/li\u003e\n\u003cli\u003eA copy of the postcard sent by Carlos Kleiber to Carin von Scheibner in connection with the recording of Beethoven's Fifth, March 1, 1974\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of the Supersense Livingroom Studio\u003c\/li\u003e\n\u003cli\u003ePolaroid Photograph of a microscopic view of the real groove from Side A \"Andante con moto\"\u003c\/li\u003e\n\u003cli\u003eText by Richard Osborne, Grammophone, June 1975. Courtesy of Martin Cullingford, Gramophone Magazine\u003c\/li\u003e\n\u003cli\u003eA \"How To Caress\" Info Sheet \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eOne set of white gloves for proper handling of your Mastercut\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut. An Introduction to Editions\" by Florian \"Doc\" Kaps\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eEvery single Edition is handcrafted in the Viennese Supersense manufactory by a small team of experts in the fields of record cutting, traditional printing methods and packaging design.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eJapan Edition: 01-99\u003cbr\u003eProduction Run #2: 199-224\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":56914926109003,"sku":"su12_kleiber","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":57236526891339,"sku":"su12_kleiber-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2021-11_09_Univesal_All_Editions_Specials_Inside_1600px-_V8A3368-009.jpg?v=1636475486"},{"product_id":"archival-tape-edition-no-4-getz-gilberto","title":"Archival Tape Edition No. 4 § Getz\/Gilberto","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRecorded in March 1963 at A\u0026amp;R Studios, New York, NY, USA. The multi-Grammy winning album \"Getz\/Gilberto\" by Stanz Getz, João Gilberto and Astrud Gilberto was one of the best-selling albums of all time and marked a peak of the bossa nova wave.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eCut directly from a completely unedited 1:1 copy of the original tape provided by Universal Music, one has never been closer to the artist, the original sound waves and music history.\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand-Cut 12\" Mastercut Record\u003c\/li\u003e\n\u003cli\u003eHand-Printed Letterpress Cover Artwork\u003c\/li\u003e\n\u003cli\u003eLimited* and numbered \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn addition to the high-quality sound carrier, this edition contains valuable, partly historical accompanying documents:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of Side A \/ Side B notes \"from original tape as indicated\"\u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of Stan Getz and \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eJoão Gilberto\u003c\/span\u003e after an original photo by Earl Steinbicker and James Houghton. \u003c\/li\u003e\n\u003cli\u003eOne Instant Polaroid photograph of the Supersense Livingroom Studio\u003c\/li\u003e\n\u003cli\u003ePolaroid Photograph of a microscopic view of the real groove from Side B \"So danco samba\"\u003c\/li\u003e\n\u003cli\u003eA \"How To Caress\" Info Sheet \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eOne set of white gloves for proper handling of your Mastercut\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut. An Introduction to Editions\" by Florian \"Doc\" Kaps\u003c\/li\u003e\n\u003cli\u003eNotes by the Cutting Engineer at the Supersense Studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eEvery single Edition is handcrafted in the Viennese Supersense manufactory by a small team of experts in the fields of record cutting, traditional printing methods and packaging design.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":56914926862667,"sku":"su12_getzgilberto-1","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":56914926895435,"sku":"su12_getzgilberto-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2021-09-20_Universal_Platte_Makro-_E1A6528-002_2d919bfc-4f3d-471d-af54-9769d5a5b659.jpg?v=1636391827"},{"product_id":"live-edition-no-1-gregory-porter","title":"Live Recording Edition No. 1 § Gregory Porter","description":"\u003cp class=\"p1\"\u003eThe Supersense palace is always good for a surprise: where else can you drink a cup of coffee next to a real star like it's the most natural thing in the world?! When this star then visits our Living Room Recording Studio to engrave a few songs direct to disc and reel-to-reel tape, no eyes stays dry. This is what happened in 2016 at our Palazzo: at the invitation of Universal Music Austria, Grammy winner Gregory Porter visited SUPERSENSE to record a few songs.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\"We are doing a live recording straight to vinyl and tape - there is no editing, no fixing, no auto tune, it's just me, the needle and the music. It's exciting, and the reason I prefer this is the humanity to it - there are cracks and wrinkles, which makes it valuable, daring and vulnerable. And all of that comes across in the recording.\" - \u003c\/i\u003eGregory Porter\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWe passionately created a super limited edition of unique hand-cut Mastercut Records from this very special tape. Adding hand printed sleeve artwork, analog instant photography and many other analogue treasures to the dazzling voice of Gregory.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eList of Booklet content\u003cbr\u003e\u003cbr\u003e• Direct minolta EP 410z Copy of Archival Tape\u003cbr\u003e• Gregory Porter Quote, October 18th, 2016, at SUPERSENSE, Vienna\u003cbr\u003e• One Instant of Gregory Porter signing original covers. Photographer: Eva Mühlbacher, 2016\u003cbr\u003e• A Minolta EP 410z Copy after an original Photo of the SUPERSENSE Livingroom Studio. Photographer: Ákos Burg\u003cbr\u003e• Polaroid of microscopic view of the real Groove, from \"Mother's Song\" \u003cbr\u003e• From Universal, with Love. By Cornelius Ballin from Universal Music Austria\u003cbr\u003e• How to caress, by Florian \"Doc\" Kaps. An info sheet about the SUPERSENSE Master Records and ho to care for them\u003cbr\u003e• Project Mastercut, by Florian \"Doc\" Kaps. An introduction to the Editions\u003cbr\u003e\u003cbr\u003eORIGINAL TITLE:\u003cbr\u003eGregory Porter \/ Live at SUPERSENSE\u003cbr\u003e\u003cbr\u003eMUSICIANS\u003cbr\u003eVocals: Gregory Porter\u003cbr\u003ePiano: Chip Crawford\u003cbr\u003eBass: Jahmal Nichols\u003cbr\u003e\u003cbr\u003eSIDE A\u003cbr\u003e1 Don't Lose Your Steam\u003cbr\u003e2 Mother's Song\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e1 Musical Genocide\u003cbr\u003e2 No Love Dying\u003cbr\u003e\u003cbr\u003eRecorded direct to Tape\u003cbr\u003eDate of recording: October 18th, 2016\u003cbr\u003eLocation: SUPERSENSE, Vienna\u003cbr\u003eTape Type: 1\/4 Inch, 15ips, CCIR\u003cbr\u003eOriginal Tape Number: 29\u003cbr\u003eSound Engineer: David Küblböck\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" style=\"text-align: left;\"\u003eThe total circulation of this Live Recording Edition release is strictly limited to a maximum total of 999 records. Currently, the following production is available:\u003cbr\u003eGegory Porter Live at SUPERSENSE\u003cbr\u003ePremier Cut: 01-99\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e                                     \u003ca href=\"https:\/\/supersense.com\/mastercut\/\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"margin-top: 4em; text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our LIVE RECORDING EDITION are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal LIVE RECORDING treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":42322729533675,"sku":"su12l_gregoryporter","price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2022-02-14_GREGORY_TOP_8_HOMEPAGE_bastiforpresident-FINAL_COVER__Gregory_Porter_Top_24-_V8A3266-013-Edit-068.jpg?v=1644921701"},{"product_id":"live-recording-session-guy-chambers","title":"LIVE RECORDING EDITION NO. 2 § GUY CHAMBERS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003eGuy Chambers is one of the UK's most successful living songwriters and musicians! Having worked with outstanding artists all over the world, including Tina Turner, Kylie Minogue, Will Young, Scissor Sisters, Busted, Melanie C, Diana Ross, Tom Jones, James Blunt, Rufus Wainwright, Mark Ronson and many more, Guy is best known for his collaborations with Robbie Williams, co-writing some of Williams' most iconic hits including \u003cem\u003e\"Angels\"\u003c\/em\u003e, \u003cem\u003e\"Millennium\"\u003c\/em\u003e, \u003cem\u003e\"Feel\"\u003c\/em\u003e, \u003cem\u003e\"Let Me Entertain You\"\u003c\/em\u003e and \u003cem\u003e\"Rock DJ\"\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eIn June, 2022, Guy took on the challenge to perform a selection of his favorite songs live on the living room stage at the SUPERSENSE palace with nothing but a Bösendorfer 230VC and some carefully selected positioned microphones, recorded straight to disc and tape with all analog studio equipment. \u003cbr\u003e\u003cbr\u003eFor all of you who could not be part of that evening, our friend Jens Meurer created a warm all analog minimovie, shot on 16mm.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cvideo style=\"max-width: 100%; height: auto;\" controls=\"controls\" poster=\"\/\/supersense.com\/mastercut\/assets\/img\/v2\/Guy_Movie_screen-1600.jpg\"\u003e\n\t\t\t\t\t\t\t\t\u003csource src=\"\/\/supersense.com\/mastercut\/assets\/img\/v2\/Guy_Chambers_Supersense_Edit_05a.mp4\" type=\"video\/mp4\"\u003e\u003c\/video\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom this magic night, we passionately created a super limited edition of unique hand-cut Mastercut Records. Adding a pretty outstanding selection of analog treasures into the booklet of this unique record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLIST OF BOOKLET CONTENTS:\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA direct Minolta EP 410Z copy of the setlist and concert ticket.\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Guy after an original photo by Ákos Burg, 2022.\u003c\/li\u003e\n\u003cli\u003eA Polaroid of a microscopic view of the real groove, from \u003cem\u003e\"Angels\"\u003c\/em\u003e on side B, track 4.\u003c\/li\u003e\n\u003cli\u003eA silk screen print after an original drawing by Emma Chambers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"The story of the breaking candle\"\u003c\/em\u003e by Florian Doc Kaps. Includes a piece of the melted candle.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e - an info sheet about the SUPERSENSE Master records and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\"\u003c\/em\u003e - an introduction to the editions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eORIGINAL TITLE:\u003cbr\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eGuy Chambers \/ Live at SUPERSENSE\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003cbr\u003e1. Heaven From Here\u003cbr\u003e2. New Age\u003cbr\u003e3. No Regrets\u003cbr\u003e4. The Road to Mandalay\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003cbr\u003e5. Feel\u003cbr\u003e6. Millennium\u003cbr\u003e7. Chere Isis\u003cbr\u003e8. Angels\u003cbr\u003e\u003cbr\u003eRecorded direct to tape\u003cbr data-mce-fragment=\"1\"\u003eDate of recording: June 12th, 2022\u003cbr data-mce-fragment=\"1\"\u003eLocation: SUPERSENSE, Vienna\u003cbr data-mce-fragment=\"1\"\u003eSound Engineer: David Küblböck\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEach and every edition is directly cut from tape to a Japanese lacquer record in real time.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e(p) 2022 SUPERSENSE GmbH\u003cbr\u003e(c) 2022 SUPERSENSE GmbH\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"gmail-s1\" data-mce-fragment=\"1\"\u003eAll rights reserved.\u003cbr data-mce-fragment=\"1\"\u003eUnauthorized copying, reproduction, hiring, lending, public performance, and broadcasting are prohibited. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eMade in the heart of Vienna.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written by Guy Chambers and Robbie Williams.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"gmail-s1\" data-mce-fragment=\"1\"\u003eAll songs published by Universal Publishing.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eCover: Silk-screen print after an original photograph by ÁKOS BURG, 2022.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eQR CODE: Linking you to Guy Chambers' stories on this larger-than-life evening at SUPERSENSE, Vienna. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePackaging: Made by Hand at the Supersense Manufactory in Vienna.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"margin-top: 4em; text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\" data-mce-fragment=\"1\" data-mce-style=\"margin-top: 4em; text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eYour record will be dispatched within 5 work days after your order.\u003c\/div\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\/#guy\" class=\"btn--secondary text-link\"\u003eLearn more about this Special Edition →\u003c\/a\u003e\u003c\/p\u003e","brand":"Supersense","offers":[{"title":"Default Title","offer_id":42890501554411,"sku":"su12l_guychambers_editiononly","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2022-07_Guy_Chambers_LILVE_REC_2_byAB-_V8A8338-010_3683557e-c69d-4962-8ec9-170ddb88fc7d.jpg?v=1660554494"},{"product_id":"archival-tape-edition-no-4-getz-gilberto-usa-edition","title":"Archival Tape Edition No. 4 § Getz\/Gilberto (USA Edition)","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRecorded in March 1963 at A\u0026amp;R Studios, New York, NY, USA. The multi-Grammy winning album \"Getz\/Gilberto\" by Stanz Getz, João Gilberto and Astrud Gilberto was one of the best-selling albums of all time and marked a peak of the bossa nova wave.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eCut directly from a completely unedited 1:1 copy of the original tape provided by Universal Music, one has never been closer to the artist, the original sound waves and music history.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHand-Cut 12\" Mastercut Record\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHand-Printed Letterpress Cover Artwork\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLimited* and numbered \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn addition to the high-quality sound carrier, this edition contains valuable, partly historical accompanying documents:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e3 carefully selected design elements are characterising this USA Mastercut Edition: \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA special spine imprint in blue tone ink\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA blue toned screen print\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA special booklet band with the impulse logo stamp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eIn addition to the high-quality sound carrier, this edition contains valuable, partly historical accompanying documents:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSide A \/ Side B notes \"from original tape as indicated\", a minolta EP 410z copy\u003c\/li\u003e\n\u003cli\u003eCyanotype of Stan Getz and \u003cmeta charset=\"utf-8\"\u003eJoão Gilberto after an original photo by Earl Steinbicker and James Houghton.\u003c\/li\u003e\n\u003cli\u003eA minolta EP 410z copy after an original photo of the SUPERSENSE livingroom studio. Photographer: Ákos Burg, 2021.\u003c\/li\u003e\n\u003cli\u003ePolaroid of microscopic view of the real groove. Side B track #2 \"So Danco Samba\"\u003c\/li\u003e\n\u003cli\u003eHow to caress, by Florian \"Doc\" Kaps. An info sheet about the SUPERSENSE Master Records and ho to care for them.\u003c\/li\u003e\n\u003cli\u003eProject MASTERCUT, by Florian \"Doc\" Kaps. An introduction to the editions.\u003c\/li\u003e\n\u003cli\u003eCutting engineer notes, SUPERSENSE, Vienna.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eEvery single Edition is handcrafted in the Viennese SUPERSENSE manufactory by a small team of experts in the fields of record cutting, traditional printing methods and packaging design.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\" data-mce-href=\"https:\/\/supersense.com\/mastercut\" target=\"micro\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":42994852102379,"sku":"su12_getz_usa","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/Bildschirmfoto2022-06-30um09.01.40.png?v=1656572535"},{"product_id":"archival-tape-edition-no-6-nina-simone-i-put-a-spell-on-you","title":"Archival Tape Edition No. 6 § Nina Simone \/ I Put a Spell on You","description":"\u003cp\u003eThis incredible edition will directly zoom you into the true soul of our big MASTERCUT dream of producing the world's most authentic records. Even though the original tapes from these legendary sessions between 1964 and 1965 have candidly aged and matured with quite a few distinctly hearable \"characteristics\" like ticks, pops, and crackles, the listening experience is nevertheless mind-blowing. With this truly extraordinary lady singing and screaming, sounding like she is standing right next to you, touching and caressing your soul with her voice - \u003ci\u003ethis edition will definitely put a spell on you!!\u003c\/i\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eMusicians\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eVocals, Piano: Nina Simone\u003c\/li\u003e\n\u003cli\u003eArrangers \u0026amp; Conductors: Hal Mooney, Horace Ott\u003c\/li\u003e\n\u003cli\u003eGuitar: Rudy Stevenson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eSIDE A\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eI Put A Spell On You\u003c\/li\u003e\n\u003cli\u003eTomorrow Is My Turn\u003c\/li\u003e\n\u003cli\u003eNe Me Quitte Pas\u003c\/li\u003e\n\u003cli\u003eMarriage Is For Old Folks\u003c\/li\u003e\n\u003cli\u003eJuly Tree\u003c\/li\u003e\n\u003cli\u003eGimme Some\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eSIDE B\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eFeeling Good\u003c\/li\u003e\n\u003cli\u003eOne September Day\u003c\/li\u003e\n\u003cli\u003eBlues On Purpose\u003c\/li\u003e\n\u003cli\u003eBeautiful Land\u003c\/li\u003e\n\u003cli\u003eYou've Got To Learn\u003c\/li\u003e\n\u003cli\u003eTake Care Of Business\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eRECORDED  TO TAPE \u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eYear of Recording: 1964 - 1965\u003c\/li\u003e\n\u003cli\u003eLocation: New York City\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: 9801\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Hal Mooney\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the recording protocol, 2.9.1965, New York City Studio\u003c\/li\u003e\n\u003cli\u003eCyanotype of Nina Simone after an original photo by Robert Abbott Sengstacke \/Getty Images\u003c\/li\u003e\n\u003cli\u003eNina Simone sings for a crowd of supporters and marchers during a rally prior to the last day of the Selma to Montgomery march, March 24, 1965. \u003c\/li\u003e\n\u003cli\u003eA Polaroid of a microscopic view of the real groove. Side A, \"I Put a Spell on You\"\u003c\/li\u003e\n\u003cli\u003eA Minolta EP 410Z copy of an original photo of the Supersense livingroom studio. Photographer: Ákos Burg, 2021.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e, by Florian Doc Kaps. An info sheet about the Supersense master records and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\"\u003c\/em\u003e, by Florian Doc Kaps. An introduction to the editions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"normal","offer_id":43366035882219,"sku":"su12_ninasimone","price":444.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":56914927124811,"sku":"su12_ninasimone-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2022_09_22_COVERS_byAB-_V8A7740-001.jpg?v=1663843018"},{"product_id":"archival-tape-edition-no-7-ella-louis","title":"Archival Tape Edition No. 7 § Ella \u0026 Louis","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs you know, our ARCHIVAL TAPE Editions are meant to give you the chance to listen to some well selected gems of analog sound recording. Without dedicated remastering and retouch. And with Ella \u0026amp; Louis we are proudly introducing our first release in MONO! True, pure and with a lot of dynamic. This record is a more than astonishing and fascinating example of delivering audible depth and width with just one audio channel. Celebrating 2 voices of no other kind. Supported by some of the best musicians of all time. You think you exactly know how the voice of Louis Amstrong does sound? Just listen to the first song on this MASTERCUT. Zooming you right into the recording studio at Capital Records, that hot summer day in August 1956. Enjoy this time capsule of a record on your stereo (or Hi-Fi as they would have said back then.) We are pretty sure this disc and yourself will be very best friends right from the start!!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"border: 1px solid #666; padding: 0.5em; margin-bottom: 4em;\"\u003eWhat exactly does it mean if a MASTERCUT EDITION is cut from a MONO tape? This means that the left and right channel of our high end cutting head engraves the identical (MONO) information into the lacquer blank. The full potential of your record can be enjoyed with your standard stereo turntable setup.\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eVocals: Ella Fitzgerald\u003c\/li\u003e\n\u003cli\u003eVocals, trumpet: Louis Armstrong\u003c\/li\u003e\n\u003cli\u003ePiano: Oscar Peterson\u003cspan\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eGuitar: Herb Ellis\u003c\/li\u003e\n\u003cli\u003eBass: Ray Brown\u003c\/li\u003e\n\u003cli\u003eDrums: Buddy Rich \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eCan't We Be Friends?\u003c\/li\u003e\n\u003cli\u003eIsn't This A Lovely Day?\u003c\/li\u003e\n\u003cli\u003eMoonlight In Vermont\u003c\/li\u003e\n\u003cli\u003eThey Can't Take That Away from Me\u003c\/li\u003e\n\u003cli\u003eUnder A Blanket Of Blue\u003c\/li\u003e\n\u003cli\u003eTenderly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE B \u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eA Foggy Day\u003c\/li\u003e\n\u003cli\u003eStars Fell On Alabama\u003c\/li\u003e\n\u003cli\u003eCheek To Cheek\u003c\/li\u003e\n\u003cli\u003eThe Nearness Of You\u003c\/li\u003e\n\u003cli\u003eApril In Paris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: August 16, 1956\u003c\/li\u003e\n\u003cli\u003eLocation: Capitol Studios, Hollywood\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: 4579, 4580\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Norman Granz\u003c\/li\u003e\n\u003cli\u003eSession Engineer: Val Valentin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the master reel control file side A\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Ella Fitzgerald and Louis Armstrong after an original photo Courtesy of the Louis Armstrong House Museum\u003c\/li\u003e\n\u003cli\u003eA Polaroid of a microscopic view of the real groove.\u003c\/li\u003e\n\u003cli\u003eA Minolta EP 410Z copy after an original photo of the Supersense livingroom studio. Photographer: Ákos Burg, 2021.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e, by Florian Doc Kaps. An info sheet about the Supersense master records and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\"\u003c\/em\u003e, by Florian Doc Kaps. An introduction to the editions. Including some Cutting Engineer notes, Supersense, Vienna 2022 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"normal","offer_id":43366043156715,"sku":"su12_ella\u0026louis","price":444.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":56914927190347,"sku":"su12_ella\u0026louis-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2022_09_22_COVERS_byAB-_V8A7761-003.jpg?v=1663843247"},{"product_id":"archival-tape-edition-no-5-william-steinberg-bso-also-sprach-zarathustra","title":"Archival Tape Edition No. 5 § WILLIAM STEINBERG \/ BSO § Also sprach Zarathustra","description":"\u003cp\u003eMaybe some of the most famous and most powerful minutes in classical music history!! Super carefully cut into finest Japanese Lacquer discs by our experienced Mastercut cutting engineers here in the heart of Vienna. An incredible listening experience, impossible to be described by words. Best to be experienced with your eyes closed, sitting in your favourite chair. Can't thank our friends from Deutsche Grammophon enough for making the original tapes of this truly legendary recording available for our series!\u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eMUSICIANS \u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSolo-Violine: Joseph Silverstein\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eConductor: William Steinberg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOrchestra: Boston Symphony Orchestra\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eEinleitung\u003c\/li\u003e\n\u003cli\u003eVon den Hinterweltlern\u003c\/li\u003e\n\u003cli\u003eVon der großen Sehnsucht\u003cspan\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eVon den Freuden und Leidenschaften\u003c\/li\u003e\n\u003cli\u003eDas Grablied\u003c\/li\u003e\n\u003cli\u003eVon der Wissenschaft\u003c\/li\u003e\n\u003cli\u003eDer Genesende (Teil 1)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eDer Genesende (Teil 2)\u003c\/li\u003e\n\u003cli\u003eDas Tanzlied\u003c\/li\u003e\n\u003cli\u003eNachtwandlerlied\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the recording protocol, Deutsche Grammophon Gesellschaft. March, 1971.\u003c\/li\u003e\n\u003cli\u003eCyanotype of William Steinberg after an original photo © courtesy of BSO archives.\u003c\/li\u003e\n\u003cli\u003eA Minolta EP 410Z copy of an original photo of the Supersense livingroom studio. Photographer: Ákos Burg, 2021.\u003c\/li\u003e\n\u003cli\u003eA Polaroid of a microscopic view of the real groove.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e, by Florian Doc Kaps. An info sheet about the Supersense master records and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\"\u003c\/em\u003e, by Florian Doc Kaps. An introduction to the editions. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"margin-top: 3.6em; margin-bottom: 1em;\"\u003e\u003ca name=\"personalized\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"normal","offer_id":43365964939499,"sku":"su12_steinberg_zoroaster","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/2022_09_22_COVERS_byAB-_V8A7741-002.jpg?v=1663851705"},{"product_id":"archival-tape-edition-no-7-ella-louis-usa-edition","title":"Archival Tape Edition No. 7 § Ella \u0026 Louis (USA Edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs you know, our ARCHIVAL TAPE Editions are meant to give you the chance to listen to some well selected gems of analog sound recording. Without dedicated remastering and retouch. And with Ella \u0026amp; Louis we are proudly introducing our first release in MONO! True, pure and with a lot of dynamic. This record is a more than astonishing and fascinating example of delivering audible depth and width with just one audio channel. Celebrating 2 voices of no other kind. Supported by some of the best musicians of all time. You think you exactly know how the voice of Louis Amstrong does sound? Just listen to the first song on this MASTERCUT. Zooming you right into the recording studio at Capital Records, that hot summer day in August 1956. Enjoy this time capsule of a record on your stereo (or Hi-Fi as they would have said back then.) We are pretty sure this disc and yourself will be very best friends right from the start!!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"border: 1px solid #666; padding: 0.5em; margin-bottom: 4em;\"\u003eWhat exactly does it mean if a MASTERCUT EDITION is cut from a MONO tape? This means that the left and right channel of our high end cutting head engraves the identical (MONO) information into the lacquer blank. The full potential of your record can be enjoyed with your standard stereo turntable setup.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e3 carefully selected design elements are characterising this USA Mastercut Edition: \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eA special spine imprint in blue tone ink\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA blue toned screen print\u003c\/li\u003e\n\u003cli\u003eA special booklet band with the impulse logo stamp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eVocals: Ella Fitzgerald\u003c\/li\u003e\n\u003cli\u003eVocals, trumpet: Louis Armstrong\u003c\/li\u003e\n\u003cli\u003ePiano: Oscar Peterson\u003cspan\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eGuitar: Herb Ellis\u003c\/li\u003e\n\u003cli\u003eBass: Ray Brown\u003c\/li\u003e\n\u003cli\u003eDrums: Buddy Rich \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eCan't We Be Friends?\u003c\/li\u003e\n\u003cli\u003eIsn't This A Lovely Day?\u003c\/li\u003e\n\u003cli\u003eMoonlight In Vermont\u003c\/li\u003e\n\u003cli\u003eThey Can't Take That Away from Me\u003c\/li\u003e\n\u003cli\u003eUnder A Blanket Of Blue\u003c\/li\u003e\n\u003cli\u003eTenderly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE B \u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eA Foggy Day\u003c\/li\u003e\n\u003cli\u003eStars Fell On Alabama\u003c\/li\u003e\n\u003cli\u003eCheek To Cheek\u003c\/li\u003e\n\u003cli\u003eThe Nearness Of You\u003c\/li\u003e\n\u003cli\u003eApril In Paris\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: August 16, 1956\u003c\/li\u003e\n\u003cli\u003eLocation: Capitol Studios, Hollywood\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: 4579, 4580\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Norman Granz\u003c\/li\u003e\n\u003cli\u003eSession Engineer: Val Valentin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the master reel control file side A\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Ella Fitzgerald and Louis Armstrong after an original photo Courtesy of the Louis Armstrong House Museum\u003c\/li\u003e\n\u003cli\u003eA Polaroid of a microscopic view of the real groove.\u003c\/li\u003e\n\u003cli\u003eA Minolta EP 410Z copy after an original photo of the Supersense livingroom studio. Photographer: Ákos Burg, 2021.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e, by Florian Doc Kaps. An info sheet about the Supersense master records and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\"\u003c\/em\u003e, by Florian Doc Kaps. An introduction to the editions. Including some Cutting Engineer notes, Supersense, Vienna 2022 \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":43607606001899,"sku":"su12_ella\u0026louis_usa","price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/2022_09_Archaval_Tape_005_006__007_and_USA_STUDIO_BW_byAkosBurg-_V8A7734-038.jpg?v=1750326549"},{"product_id":"archival-tape-edition-no-6-nina-simone-i-put-a-spell-on-you-usa-edition","title":"Archival Tape Edition No. 6 § Nina Simone \/ I Put a Spell on You (USA Edition)","description":"\u003cp\u003eThis incredible edition will directly zoom you into the true soul of our big MASTERCUT dream of producing the world's most authentic records. Even though the original tapes from these legendary sessions between 1964 and 1965 have candidly aged and matured with quite a few distinctly hearable \"characteristics\" like ticks, pops, and crackles, the listening experience is nevertheless mind-blowing. With this truly extraordinary lady singing and screaming, sounding like she is standing right next to you, touching and caressing your soul with her voice - \u003ci\u003ethis edition will definitely put a spell on you!!\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan\u003e3 carefully selected design elements are characterising this USA Mastercut Edition: \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA special spine imprint in blue tone ink\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA blue toned screen print\u003c\/li\u003e\n\u003cli\u003eA special booklet band with the impulse logo stamp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eVocals, Piano: Nina Simone\u003c\/li\u003e\n\u003cli\u003eArrangers \u0026amp; Conductors: Hal Mooney, Horace Ott\u003c\/li\u003e\n\u003cli\u003eGuitar: Rudy Stevenson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eI Put A Spell On You\u003c\/li\u003e\n\u003cli\u003eTomorrow Is My Turn\u003c\/li\u003e\n\u003cli\u003eNe Me Quitte Pas\u003c\/li\u003e\n\u003cli\u003eMarriage Is For Old Folks\u003c\/li\u003e\n\u003cli\u003eJuly Tree\u003c\/li\u003e\n\u003cli\u003eGimme Some\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eFeeling Good\u003c\/li\u003e\n\u003cli\u003eOne September Day\u003c\/li\u003e\n\u003cli\u003eBlues On Purpose\u003c\/li\u003e\n\u003cli\u003eBeautiful Land\u003c\/li\u003e\n\u003cli\u003eYou've Got To Learn\u003c\/li\u003e\n\u003cli\u003eTake Care Of Business\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRECORDED  TO TAPE \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYear of Recording: 1964 - 1965\u003c\/li\u003e\n\u003cli\u003eLocation: New York City\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: 9801\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Hal Mooney\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eA Minolta EP 410Z copy of the recording protocol, 2.9.1965, New York City Studio\u003c\/li\u003e\n\u003cli\u003eCyanotype of Nina Simone after an original photo by Robert Abbott Sengstacke \/Getty Images\u003c\/li\u003e\n\u003cli\u003eNina Simone sings for a crowd of supporters and marchers during a rally prior to the last day of the Selma to Montgomery march, March 24, 1965. \u003c\/li\u003e\n\u003cli\u003eA Polaroid foto of a microscopic view of the real groove. Side A, \"I Put a Spell on You\"\u003c\/li\u003e\n\u003cli\u003eA Minolta EP 410Z copy of an original photo of the Supersense livingroom studio. Photographer: Ákos Burg, 2021.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e, by Florian Doc Kaps. An info sheet about the Supersense MASTERCUT records and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\"\u003c\/em\u003e, by Florian Doc Kaps. An introduction to the editions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":43607607214315,"sku":"su12_ninasimone_usa","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/2022_09_Archaval_Tape_005_006__007_and_USA_STUDIO_BW_byAkosBurg-_V8A7730-034.jpg?v=1708610093"},{"product_id":"picture-disc-edition-no-1-nina-simone-i-put-a-spell-on-you","title":"PICTURE DISC EDITION NO. 1 §NINA SIMONE §I PUT A SPELL ON YOU","description":"\u003cp\u003eOur very first MASTERCUT PICTURE Edition is dedicated to one of our very favourite artists of all time, celebrating her 90th birthday: MRS. NINA SIMONE.\u003c\/p\u003e\n\u003cp\u003eThis edition is super strictly limited to only 99 pieces and comes in a handmade, all analog printed Slim Case, especially developed for our picture disc editions.\u003c\/p\u003e\n\u003cp\u003eOne side of the 12\" Japanese lacquer disc celebrates a Portrait of Mrs. Simone (after an original photo by Robert Abbott Sengstacke\/Getty Images), hand-applied by Giulio Paolini using a special screen print technique.\u003c\/p\u003e\n\u003cp\u003eOnto the other side we cut Nina's legendary version of \u003cstrong\u003e\"\u003cem\u003eI PUT A SPELL ON YOU\u003c\/em\u003e\" in 45 rpm\u003c\/strong\u003e for an ultimately supreme listening experience.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eAVAILABLE IN 2 VARIANTS: INTRODUCING THE MASTERCUT PICTURE EDITION FRAME \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven if we really like our new edition package, letterpress with some background information as well as a QR code linking you with a short video regarding the production process,...\u003c\/p\u003e\n\u003cp\u003eWE REALLY LOVE the combination of our PICTURE DISC and the MASTERCUT MAGNETIC METAL FRAME, which we produced with our friends from Halbe Rahmen, especially for this edition.\u003c\/p\u003e\n\u003cp\u003eThe idea is that you do not have to hide your beautiful picture disc in its packaging but can proudly hang it on your wall, perfectly protected against dust, and even humidity and UV light!\u003c\/p\u003e\n\u003cp\u003eWhenever you want to listen to your record, you can easily pop open the frame and take out the disc.\u003cbr\u003e\u003cbr\u003eSince the invention of gold and platinum records for the stars, music records have never been held in such high regard as pieces of visual art.\u003cbr\u003e\u003cbr\u003eBe among the first collectors to spoil your senses with the crisp sound, the stunning looks and the elegant handling of this truly tri-sensual piece of art and craftsmanship.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVocals, Piano: Nina Simone\u003c\/li\u003e\n\u003cli\u003eArrangers \u0026amp; Conductors: Hal Mooney, Horace Ott\u003c\/li\u003e\n\u003cli\u003eGuitar: Rudy Stevenson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSCREEN PRINT PORTRAIT OF NINA SIMONE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI Put a Spell On You\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYear of Recording: 1964 - 1965\u003c\/li\u003e\n\u003cli\u003eLocation: New York City\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: 9801\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Hal Mooney\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca class=\"btn--secondary text-link\" href=\"https:\/\/supersense.com\/mastercut\/#picture-disc\" target=\"_blank\"\u003eWATCH THE SCREEN PRINT PRODUCTION PROCESS →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"margin-top: 4em; text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" data-mce-fragment=\"1\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"DISC ONLY","offer_id":46429597925707,"sku":"su12_pd_ninasimone-disconly","price":330.0,"currency_code":"EUR","in_stock":true},{"title":"DISC \u0026 FRAME","offer_id":46429597958475,"sku":"su12_pd_ninasimone-disc\u0026frame","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/products\/nina_simone_black_final-6-1600.jpg?v=1679573300"},{"product_id":"live-recording-edition-no-1-gregory-porter-palace-edition","title":"Live Recording Edition No. 1 § Gregory Porter § PALACE EDITION","description":"\u003cp\u003eAfter the Premiere Cut Edition of this legendary live recording session of Gregory at our SUPERSENSE palace sold out in weeks, we decided to celebrate this unique and very intimate recording with a new edition.\u003c\/p\u003e\n\u003ch1 style=\"text-align: center;\"\u003eTHE PALACE EDITION\u003c\/h1\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eAbout the edition packaging\u003c\/h4\u003e\n\u003cp\u003eCreated by Anna, our creative director, and her husband Ema, passionately analog printer and baker, who are running our MASTERCUT print department and are always experimenting with new techniques and concepts. This time inspired by some historic style elements of our wonderful space imprinted onto the sleeve and insert of this edition via a laser-cut wood plate and our Korrex printing machine. The result is a very special package that definitely adds a new spin to the growing Mastercut family. Strictly limited to exactly 99 hand numbered pieces.\u003c\/p\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eAbout the recording\u003c\/h4\u003e\n\u003cp\u003eThe Supersense palace is always good for a surprise: where else can you drink a cup of coffee next to a real star like it's the most natural thing in the world?! When this star then visits our Living Room Recording Studio to engrave a few songs direct to disc and reel-to-reel tape, no eye stays dry. This is what happened in 2016 at our Palazzo: at the invitation of Universal Music Austria, Grammy winner Gregory Porter visited SUPERSENSE to record a few songs.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We are doing a live recording straight to vinyl and tape - there is no editing, no fixing, no auto tune, it's just me, the needle and the music. It's exciting, and the reason I prefer this is the humanity to it - there are cracks and wrinkles, which makes it valuable, daring and vulnerable. And all of that comes across in the recording.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e- Gregory Porter\u003c\/p\u003e\n\u003cp\u003eWe passionately created a super limited edition of unique hand-cut Mastercut Records from this very special tape. Adding hand-printed sleeve artwork, analog instant photography and many other analog treasures to the dazzling voice of Gregory.\u003c\/p\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eList of Booklet content\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDirect Minolta EP 410z Copy of Archival Tape \u003ci\u003eGregory Porter Quote, October 18th, 2016, at SUPERSENSE, Vienna\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eOne Instant foto of Gregory Porter signing original covers. Photographer: Eva Mühlbacher, 2016\u003c\/li\u003e\n\u003cli\u003eA Minolta EP 410z Copy after an original Photo of the SUPERSENSE Livingroom Studio. Photographer: Ákos Burg\u003c\/li\u003e\n\u003cli\u003ePolaroid foto of microscopic view of the real Groove, from \"Mother's Song\"\u003c\/li\u003e\n\u003cli\u003e\"From Universal, with Love\" by Cornelius Ballin from Universal Music Austria\u003c\/li\u003e\n\u003cli\u003e\"How to caress\" by Florian \"Doc\" Kaps. An info sheet about the SUPERSENSE Master Records and how to care for them\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut\" by Florian \"Doc\" Kaps. An introduction to the Editions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eORIGINAL TITLE\u003c\/h4\u003e\n\u003cp\u003eGregory Porter \/ Live at SUPERSENSE\u003c\/p\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eMUSICIANS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eVocals: Gregory Porter\u003c\/li\u003e\n\u003cli\u003ePiano: Chip Crawford\u003c\/li\u003e\n\u003cli\u003eBass: Jahmal Nichols\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eSIDE A\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDon't Lose Your Steam\u003c\/li\u003e\n\u003cli\u003eMother's Song\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eSIDE B\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eMusical Genocide\u003c\/li\u003e\n\u003cli\u003eNo Love Dying\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eRecorded direct to Tape\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDate of recording: October 18th, 2016\u003c\/li\u003e\n\u003cli\u003eLocation: SUPERSENSE, Vienna\u003c\/li\u003e\n\u003cli\u003eTape Type: 1\/4 inch, 15ips, CCIR\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: 29\u003c\/li\u003e\n\u003cli\u003eSound Engineer: David Küblböck\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe total circulation of this Live Recording Edition release is strictly limited to a maximum total of 999 records.\u003c\/p\u003e\n\u003cp\u003eCurrently the following productions exist:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGegory Porter Live at SUPERSENSE\u003cbr\u003ePremier Cut: 01-99\u003cbr\u003e\u003ci\u003e(SOLD OUT)\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003eGegory Porter Live at SUPERSENSE\u003cbr\u003ePALACE EDITION: 01-99\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv style=\"text-align: center; margin-top: 3em; margin-bottom: 3em;\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience! \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57784147312971,"sku":"su12l_gregporter_palaceedition","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":57784147345739,"sku":"su12l_gregporter_palaceedition-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/gregory_porter-11-1600.jpg?v=1689248874"},{"product_id":"archival-tape-edition-no-9-bill-evans","title":"Archival Tape Edition No. 9 § Bill Evans Trio \/ Trio 64","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eJoining Bill Evans (piano) on \u003cem\u003eTrio 64\u003c\/em\u003e — his initial three-piece recording for Verve — is the compact rhythm section of Gary Peacock (bass) and Paul Motian (drums). The effort spotlights their communal and intuitive musical discourse, hinging on an uncanny ability of the musicians to simultaneously hear and respond. \u003cbr\u003eAll the more interesting, Evans had not interacted in this setting before, having most recently worked with Chuck Israels (bass) and Larry Bunker (drums).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: right;\"\u003e\u003cem\u003e(AMG Review)\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eMUSICIANS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003ePiano: Bill Evans\u003c\/li\u003e\n\u003cli\u003eBass: Gary Peacock\u003c\/li\u003e\n\u003cli\u003eDrums: Paul Motian\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eSIDE A \u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eLittle Lulu\u003c\/li\u003e\n\u003cli\u003eA Sleeping Bee\u003c\/li\u003e\n\u003cli\u003eAlways\u003c\/li\u003e\n\u003cli\u003eSanta Claus Is Coming To Town\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eSIDE B \u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eI'll See You Again\u003c\/li\u003e\n\u003cli\u003eFor Heaven's Sake\u003c\/li\u003e\n\u003cli\u003eDancing In The Dark\u003c\/li\u003e\n\u003cli\u003eEverything Happens To Me\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eRECORDED TO TAPE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: December 18, 1963\u003c\/li\u003e\n\u003cli\u003eLocation: New York City\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: V6-8578\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Creed Taylor\u003c\/li\u003e\n\u003cli\u003eSession Engineer: Bop Simpson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Risograph copy of the recording information\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Bill Evans after an original photograph by Jerome Knill, from a different session\u003c\/li\u003e\n\u003cli\u003ePolaroid of microscopic view of the real groove\u003c\/li\u003e\n\u003cli\u003eA Risograph after an original photo of the Supersense Living Room studio. photographer: Ákos Burg, 2021\u003c\/li\u003e\n\u003cli\u003e\"How to caress\" by Florian \"Doc\" Kaps. An info sheet about the Supersense master records and how to care for them\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut\" by Florian \"Doc\" Kaps. An introduction to the Mastercut editions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience! \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":52919340433739,"sku":"su12_billevans","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Second Production Run)","offer_id":52919340466507,"sku":"su12_billevans-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition8910-15-1600.jpg?v=1688659094"},{"product_id":"archival-tape-edition-no-8-oliver-nelson","title":"Archival Tape Edition No. 8 § Oliver Nelson \/ The Blues And The Abstract Truth","description":"\u003cdiv\u003e\n\u003cem\u003eThe Blues And The Abstract Truth\u003c\/em\u003e, recorded in February 1961, remains Nelson's most acclaimed album featuring an incredible lineup of legendary musicians:\u003cbr\u003eFreddie Hubbard, Eric Dolphy, Bill Evans, Paul Chambers and Roy Haynes. And also baritone saxophonist George Barrow who does not take solos but remains a key feature in the subtle voicings of Nelson's arrangements.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eAmong the great songs on this album, \"Stolen Moments\" is the best known and has become a true Jazz classic: a 16-bar piece with solos in a conventional 12-bar blues structure in C-minor. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eMUSICIANS\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAlto and Tenor Saxophone: Oliver Nelson\u003c\/li\u003e\n\u003cli\u003eAlto Saxophone and Flute: Eric Dolphy\u003c\/li\u003e\n\u003cli\u003eTrumpet: Freddie Hubbard\u003c\/li\u003e\n\u003cli\u003eBaritone Saxophone: George Barrow\u003c\/li\u003e\n\u003cli\u003eBass: Paul Chambers\u003c\/li\u003e\n\u003cli\u003ePiano: Bill Evans\u003c\/li\u003e\n\u003cli\u003eDrums: Roy Haynes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eSIDE A\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eStolen Moments\u003c\/li\u003e\n\u003cli\u003eHoe-Down\u003c\/li\u003e\n\u003cli\u003eCascades\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eSIDE B \u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eYearnin'\u003c\/li\u003e\n\u003cli\u003eButch And Butch\u003c\/li\u003e\n\u003cli\u003eTeenie's Blues\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 1em;\"\u003eRECORDED TO TAPE\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: February 23, 1961\u003c\/li\u003e\n\u003cli\u003eLocation: Van Gelder Studios, Englewood Cliffs, NJ\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Number: B0033428-01\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Creed Taylor\u003c\/li\u003e\n\u003cli\u003eSession Engineer: Rudy Van Gelder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Risograph copy of the technical sound check protocol\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Oliver Nelson after a photograph by Pete Turner\u003c\/li\u003e\n\u003cli\u003ePolaroid of microscopic view of the real groove from side B, track 1: \"Yearnin´\"\u003c\/li\u003e\n\u003cli\u003eA Risograph after an original photo of the Supersense Living Room studio. Photographer: Ákos Burg, 2021\u003c\/li\u003e\n\u003cli\u003e\"How to caress\" by Florian \"Doc\" Kaps. An info sheet about the Supersense master records and how to care for them\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut\" by Florian \"Doc\" Kaps. An introduction to the Mastercut Editions\u003c\/li\u003e\n\u003cli\u003eCutting engineer notes, Supersense, Vienna 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":52902280560971,"sku":"su12_onelson","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Second Production Run)","offer_id":52902280593739,"sku":"su12_onelson-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition8910-1-1600.jpg?v=1688658912"},{"product_id":"archival-tape-edition-no-10-herbert-von-karajan-berliner-philharmoniker","title":"Archival Tape Edition No. 10 § Herbert von Karajan \/ Berliner Philharmoniker","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eJohannes Brahms:Symphony No.3 in F major op. 90, Tragic Overture op. 81\u003c\/h2\u003e\n\u003cdiv\u003eBrahms 3rd Symphony in a wonderful version with \"our\" Austrian conductor legend Herbert von Karajan and the Berliner Philharmoniker.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConductor: Herbert von Karajan\u003c\/li\u003e\n\u003cli\u003eOrchestra: Berliner Philharmoniker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro con brio - Un poco sostenuto - Tempo I [Symphony No. 3 In F, Op. 90]\u003c\/li\u003e\n\u003cli\u003eAndante [Symphony No. 3 In F, Op. 90]\u003c\/li\u003e\n\u003cli\u003ePoco allegretto [Symphony No. 3 In F, Op. 90]\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAllegro [Symphony No. 3 In F, Op. 90]\u003c\/li\u003e\n\u003cli\u003eAllegro non troppo - Molto più moderato - Tempo primo - un poco sostenuto - in tempo [Tragic Overture, Op. 81]\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: 18.10.1977 - 19.02.1978\u003c\/li\u003e\n\u003cli\u003eLocation: Philharmonie, Berlin\u003c\/li\u003e\n\u003cli\u003eOriginal Tape Numbers: 19-019.466, 19-019.467\u003c\/li\u003e\n\u003cli\u003eBalance Engineer: Günter Hermanns\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Michel Glotz, Cord Garben\u003c\/li\u003e\n\u003cli\u003eProducer: Dr. Hans Hirsch, Magdalene Padberg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA Risograph copy of the recording protocol\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Herbert von Karajan after a photograph by Siegfried Lauterwasser \/ Deutsche Grammophon\u003c\/li\u003e\n\u003cli\u003ePolaroid of microscopic view of the real groove\u003c\/li\u003e\n\u003cli\u003eA Risograph after an original photo of the Supersense Living Room studio. Photographer: Ákos Burg, 2021\u003c\/li\u003e\n\u003cli\u003e\"How to caress\" by Florian \"Doc\" Kaps. An info sheet about the Supersense master records and how to care for them\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut\" by Florian \"Doc\" Kaps. An introduction to the Mastercut Editions\u003c\/li\u003e\n\u003cli\u003eCutting engineer notes, Supersense, Vienna 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Second Production Run","offer_id":56486113706315,"sku":"su12_karajan","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition_10_herbertvon-1-1600.jpg?v=1694028850"},{"product_id":"archival-tape-edition-no-11-marvin-gaye-whats-going-on","title":"Archival Tape Edition No. 11 § Marvin Gaye \/ What's Going On","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eMarvin Gaye's first album to present him as a producer and to credit Motown's in-house studio band, the iconic session musicians known as the Funk Brothers.\u003c\/p\u003e\n\u003cp\u003e\"What's Going On\" is a concept album with its narrative, established by the songs, being told from the point of view of a Vietnam veteran returning to his home country to witness hatred, suffering, and injustice.\u003c\/p\u003e\n\u003cp\u003eThe album was an immediate commercial and critical success making Gaye the first male solo artist to place three top ten singles on the Hot 100 from one album. In 2020, it was ranked number one on Rolling Stone's list of the 500 Greatest Albums of All Time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eComposer, Drums\/Percussion, Piano, Liner Notes, Primary Artist, Producer, Vocals: Marvin Gaye\u003c\/li\u003e\n\u003cli\u003eVocals (Background): The Andantes, Mel Farr, Bobby Rogers, Elgie Stover, Lem Barney\u003c\/li\u003e\n\u003cli\u003eBass: James Jamerson, Bob Babbitt\u003c\/li\u003e\n\u003cli\u003eTambourine, Percussion: Jack Ashford\u003c\/li\u003e\n\u003cli\u003eVibraphone, Percussion: Jack Brokensha\u003c\/li\u003e\n\u003cli\u003eCeleste: Johnny Griffith\u003c\/li\u003e\n\u003cli\u003eDrums: Chet Forest\u003c\/li\u003e\n\u003cli\u003eBongos, Congas: Eddie \"Bongo\" Brown, Earl DeRouen\u003c\/li\u003e\n\u003cli\u003eGuitar: Joe Messina, Robert White\u003c\/li\u003e\n\u003cli\u003eSolo Work: Eli Fountain (Alto Saxophone), William \"Wild Bill\" Moore (Tenor Saxophone)\u003c\/li\u003e\n\u003cli\u003eSaxophones: Larry Nozero, George Benson, Angelo Carlisi, Tate Houston\u003c\/li\u003e\n\u003cli\u003eTrumpets: John Trudell, Maurice Davis\u003c\/li\u003e\n\u003cli\u003eTrombone: Carl Raetz\u003c\/li\u003e\n\u003cli\u003eViolins: Gordon Staples, Zinovi Bistritzky, Beatriz Budinszky, Richard Margitza, Virgnia Halfmann, Felix Resnick, Alvin Score, Lillian Downs, James Waring\u003c\/li\u003e\n\u003cli\u003eViolas: Edouard Kesner, Meyer Shapiro, David Ireland, Nathan Gordon\u003c\/li\u003e\n\u003cli\u003eCellos: Italo Babini, Thaddeus Markiewicz, Edward Korkigan\u003c\/li\u003e\n\u003cli\u003eHarp: Carole Crosby\u003c\/li\u003e\n\u003cli\u003eString Bass: Max Janowsky\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eWhat's Going On\u003c\/li\u003e\n\u003cli\u003eWhat's Happening Brother\u003c\/li\u003e\n\u003cli\u003eFlyin' High (In The Friendly Sky)\u003c\/li\u003e\n\u003cli\u003eSave The Children\u003c\/li\u003e\n\u003cli\u003eGod Is Love\u003c\/li\u003e\n\u003cli\u003eMercy Mercy Me (The Ecology)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eRight On\u003c\/li\u003e\n\u003cli\u003eWholy Holy\u003c\/li\u003e\n\u003cli\u003eInner City Blues (Make Me Wanna Holler)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: June 1, 1970 - May 5, 1971\u003c\/li\u003e\n\u003cli\u003eOriginal Release Date: May 21, 1971\u003c\/li\u003e\n\u003cli\u003eLocation: Hitsville Studios and Studio B, Detroit, MI, and\u003cbr\u003eSound Factory, Los Angeles, CA\u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: P6786, P6787\u003c\/li\u003e\n\u003cli\u003eCatalog Number: Tamla TS310\u003c\/li\u003e\n\u003cli\u003eBalance Engineer: Günter Hermanns\u003c\/li\u003e\n\u003cli\u003eRecording Producer: \u003cbr\u003eProduced by Marvin Gaye\u003cbr\u003eArranged and Conducted by David Van dePitte \u003cbr\u003eRecorded by Steve Smith, Ken Sands, Cal Harris, Bob Olhsson, Joe Atkinson, James Green and Sam Ross (Detroit), and Lawrence Miles \u0026amp; Art Stewart (Los Angeles)\u003cbr\u003eMixed by: Lawrence Miles at Motown Studios (Hitsville West), Los Angeles, CA, May 6, 1971\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z copy of the recording information\u003c\/li\u003e\n\u003cli\u003eA Cyanotype of Marvin Gaye and Robert White after an original photograph courtesy of Motown Records Archives, taken during rehearsals for the live rendition of the album, May 1, 1972\u003c\/li\u003e\n\u003cli\u003ePolaroid of microscopic view of the real groove\u003c\/li\u003e\n\u003cli\u003eA Risograph after an original photo of the Supersense Living Room studio. Photographer: Ákos Burg, 2021\u003c\/li\u003e\n\u003cli\u003e\"How to caress\" by Florian \"Doc\" Kaps. An info sheet about the Supersense master records and how to care for them\u003c\/li\u003e\n\u003cli\u003e\"Project Mastercut\" by Florian \"Doc\" Kaps. An introduction to the Mastercut Editions\u003c\/li\u003e\n\u003cli\u003eCutting engineer notes, Supersense, Vienna 2023\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eProduction Run #2: 100-124\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"2026 Q2 Re-Production Run","offer_id":56263954235723,"sku":"su12_marvingaye","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":57784117264715,"sku":"su12_marvingaye-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition_11_marvingaye-1-1600.jpg?v=1694028748"},{"product_id":"archival-tape-edition-no-12-ella-wishes-you-a-swinging-christmas","title":"Archival Tape Edition No. 12 § Ella Wishes You A Swinging Christmas","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eMaybe one of the most iconic Christmas albums of all times.  \u003cem\u003e\"Ella Wishes You A Swinging Christmas\"\u003c\/em\u003e is a 1960 album by the American jazz singer Ella Fitzgerald, recorded in the summer of 1960, with a studio orchestra arranged and conducted by Frank DeVol. The tracks are all secular Christmas seasonal songs, interpreted in her very own wonderful style. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFrank De Vol And His Orchestra\u003c\/li\u003e\n\u003cli\u003eOrchestra conducted by Frank DeVol\u003c\/li\u003e\n\u003cli\u003eArranged by Frank DeVol\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSanta Claus Is Coming To Town\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHave Yourself A Merry Little Christmas\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhat Are You Doing New Year's Eve?\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSleigh Ride\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Christmas Song \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGood Morning Blues\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLet It Snow! Let It Snow! Let It Snow!\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWinter Wonderland\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRudolph The Red-Nosed Reindeer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrosty The Snowman\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhite Christmas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: July 15, 1960\u003c\/li\u003e\n\u003cli\u003eLocation: Columbia Studios, New York City \u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: Side A: V6 4042 A \/ Side B: V6 4042 B\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Norman Granz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF ELLA FITZGERALD PERFORMING ON NOVEMBER 12, 1969 IN NEW YORK, NEW YORK. (PHOTO BY SANTI VISALLI\/GETTY IMAGES)\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „JINGLE BELLS“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":47202240594251,"sku":"su12_ella_swinging_xmas","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEdition_N012-1.jpg?v=1703174939"},{"product_id":"archival-tape-edition-no-12-ella-wishes-you-a-swinging-christmas-usa-edition","title":"Archival Tape Edition No. 12 § Ella Wishes You A Swinging Christmas  (USA Edition)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eMaybe one of the most iconic Christmas albums of all times.  \u003cem\u003e\"Ella Wishes You A Swinging Christmas\"\u003c\/em\u003e is a 1960 album by the American jazz singer Ella Fitzgerald, recorded in the summer of 1960, with a studio orchestra arranged and conducted by Frank DeVol. The tracks are all secular Christmas seasonal songs, interpreted in her very own wonderful style. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFrank De Vol And His Orchestra\u003c\/li\u003e\n\u003cli\u003eOrchestra conducted by Frank DeVol\u003c\/li\u003e\n\u003cli\u003eArranged by Frank DeVol\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eJingle Bells\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSanta Claus Is Coming To Town\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHave Yourself A Merry Little Christmas\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhat Are You Doing New Year's Eve?\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSleigh Ride\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Christmas Song \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGood Morning Blues\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLet It Snow! Let It Snow! Let It Snow!\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWinter Wonderland\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRudolph The Red-Nosed Reindeer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrosty The Snowman\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhite Christmas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: July 15, 1960\u003c\/li\u003e\n\u003cli\u003eLocation: Columbia Studios, New York City \u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: Side A: V6 4042 A \/ Side B: V6 4042 B\u003c\/li\u003e\n\u003cli\u003eRecording Producer: Norman Granz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\" data-mce-style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF ELLA FITZGERALD PERFORMING ON NOVEMBER 12, 1969 IN NEW YORK, NEW\nYORK. (PHOTO BY SANTI VISALLI\/GETTY IMAGES)\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „JINGLE\nBELLS“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003e\nPHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER\nRECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT\nEDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\" data-mce-href=\"https:\/\/supersense.com\/mastercut\" target=\"micro\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" data-mce-style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" data-mce-fragment=\"1\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":47202242462027,"sku":"su12_ella_swinging_xmas_us","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/12-ArchivalTapeEdition_12.13-2_a71f6b81-6cd4-49e9-b74b-d957fc18499a.jpg?v=1703089393"},{"product_id":"archival-tape-edition-no-13-duke-ellington-john-coltrane","title":"Archival Tape Edition No. 13 § Duke Ellington \u0026 John Coltrane","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003cspan\u003eAn iconic jazz album by Duke Ellington and John Coltrane released in January 1963.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt was one of Ellington's many collaborations in the early 1960s with musicians such as Count Basie, Louis Armstrong, Coleman Hawkins, Max Roach, and Charles Mingus, and placed him with a quartet (in this case, saxophone, piano, bass, and drums), rather than a big band. The quartet was filled out by the bassist and drummer from either of their bands. \u003cbr\u003eColtrane said about this album: \u003cem\u003e\"I was really honored to have the opportunity of working with Duke. It was a wonderful experience. He has set standards I haven't caught up with yet. I would have liked to have worked over all those numbers again, but then I guess the performances wouldn't have had the same spontaneity. And they mightn't have been any better.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eTenor Saxophone: John Coltrane\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePiano: Duke Ellington\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDrums: Elvin Jones (Take The Coltrane)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDrums: Sam Woodyard (My Little Brown Book, Stevie, The Feeling Of Jazz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble Base: Aaron Bell (In A Sentimental Mood, My Little Brown Book, Stevie, The Feeling Of Jazz)\u003c\/li\u003e\n\u003cli\u003eDouble Bass: Jimmy Garrison (Angelica, Big Nick, Take The Coltrane)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eIn A Sentimental Mood\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTake The Coltrane\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBig Nick\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStevie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMy Little Brown Book\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAngelica\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Feeling Of Jazz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: September 26, 1962\u003c\/li\u003e\n\u003cli\u003eLocation: Van Gelder Studios, Englewood Cliffs, NJ \u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: AS-30 I \/ AS-30 II\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Rudy Van Gelder\u003c\/li\u003e\n\u003cli\u003eDirector of Engineering: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRudy Van Gelder\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eProducer: Bob Thiele\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE BASED ON A PHOTOGRAPH BY BOB GHIRALDINI\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 2: „TAKE THE COLTRANE“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":52919410229579,"sku":"su12_ellington_coltrane","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Second Production Run)","offer_id":52919410262347,"sku":"su12_ellington_coltrane-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEdition_N013-1.jpg?v=1703178287"},{"product_id":"archival-tape-edition-no-13-duke-ellington-john-coltrane-usa-edition","title":"Archival Tape Edition No. 13 § Duke Ellington \u0026 John Coltrane (USA Edition)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eAn iconic jazz album by Duke Ellington and John Coltrane released in January 1963.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was one of Ellington's many collaborations in the early 1960s with musicians such as Count Basie, Louis Armstrong, Coleman Hawkins, Max Roach, and Charles Mingus, and placed him with a quartet (in this case, saxophone, piano, bass, and drums), rather than a big band. The quartet was filled out by the bassist and drummer from either of their bands. Coltrane said about this album: \"I was really honored to have the opportunity of working with Duke. It was a wonderful experience. He has set standards I haven't caught up with yet. I would have liked to have worked over all those numbers again, but then I guess the performances wouldn't have had the same spontaneity. And they mightn't have been any better.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eTenor Saxophone: John Coltrane\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePiano: Duke Ellington\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDrums: Elvin Jones (Take The Coltrane)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDrums: Sam Woodyard (My Little Brown Book, Stevie, The Feeling Of Jazz)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble Base: Aaron Bell (In A Sentimental Mood, My Little Brown Book, Stevie, The Feeling Of Jazz)\u003c\/li\u003e\n\u003cli\u003eDouble Bass: Jimmy Garrison (Angelica, Big Nick, Take The Coltrane)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eIn A Sentimental Mood\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTake The Coltrane\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBig Nick\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStevie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMy Little Brown Book\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAngelica\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Feeling Of Jazz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: September 26, 1962\u003c\/li\u003e\n\u003cli\u003eLocation: Van Gelder Studios, Englewood Cliffs, NJ \u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: AS-30 I \/ AS-30 II\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Rudy Van Gelder\u003c\/li\u003e\n\u003cli\u003eDirector of Engineering: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRudy Van Gelder\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eProducer: Bob Thiele\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch4 style=\"margin-bottom: 0.5em;\" data-mce-style=\"margin-bottom: 0.5em;\"\u003eBOOKLET CONTENT LIST\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE BASED ON A PHOTOGRAPH BY BOB GHIRALDINI\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 2: „TAKE THE COLTRANE“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\" target=\"micro\" data-mce-href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":47213512622411,"sku":"su12_ellington_coltrane_us","price":444.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/13-ArchivalTapeEdition_12.13-47.jpg?v=1703090041"},{"product_id":"archival-tape-edition-no-14-oscar-peterson-trio-night-train","title":"Archival Tape Edition No. 14 § Oscar Peterson Trio \/ Night Train","description":"\u003cdiv class=\"gmail_default\"\u003e\n\u003cem\u003e\"Night Train\"\u003c\/em\u003e is an album by the Oscar Peterson Trio, released in 1963 by Verve Records. The album includes jazz, blues and R\u0026amp;B standards, as well as \u003cem\u003e\"Hymn to Freedom\"\u003c\/em\u003e, one of Peterson's best known original compositions.\u003cbr\u003eAlbum producer Norman Granz had sold the record label Verve, but remained Peterson's manager, and so supervised the Night Train recording session. The brief duration of many of the tracks has been attributed to a desire to have them played on commercial radio, which was reluctant to play any tracks longer than a few minutes.\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003eThe album was dedicated to Peterson’s father, who worked as a sleeping-car attendant for Canadian Pacific Railways.\u003cbr\u003eNight Train’s only original Oscar Peterson composition, \u003cem\u003e\"Hymn to Freedom\"\u003c\/em\u003e was written on the spot in the studio to close the album, following Norman Granz' suggestion that the band include a song with a\u003cem\u003e \"definitive early-blues feel\"\u003c\/em\u003e. Peterson named the new song \u003cem\u003e\"Hymn to Freedom\"\u003c\/em\u003e in honor of Martin Luther King, Jr., and after Harriette Hamilton wrote accompanying lyrics a year later, it became an unofficial anthem of the Civil Rights Movement.\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMUSICIANS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Piano: Oscar Peterson\\r\\nDouble Bass: Ray Brown\\r\\nDrums: Ed Thigpen\\r\"}' data-sheets-userformat='{\"2\":23169,\"3\":{\"1\":0},\"10\":0,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Courier New\",\"17\":1}'\u003ePiano: Oscar Peterson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Piano: Oscar Peterson\\r\\nDouble Bass: Ray Brown\\r\\nDrums: Ed Thigpen\\r\"}' data-sheets-userformat='{\"2\":23169,\"3\":{\"1\":0},\"10\":0,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Courier New\",\"17\":1}'\u003eDouble Bass: Ray Brown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Piano: Oscar Peterson\\r\\nDouble Bass: Ray Brown\\r\\nDrums: Ed Thigpen\\r\"}' data-sheets-userformat='{\"2\":23169,\"3\":{\"1\":0},\"10\":0,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Courier New\",\"17\":1}'\u003eDrums: Ed Thigpen \u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eNight Train\u003c\/li\u003e\n\u003cli\u003eC Jam Blues\u003c\/li\u003e\n\u003cli\u003eGeorgia On My Mind\u003c\/li\u003e\n\u003cli\u003eBag's Groove\u003c\/li\u003e\n\u003cli\u003eMoten Swing\u003c\/li\u003e\n\u003cli\u003eEasy Does It \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eHoney Dripper\u003c\/li\u003e\n\u003cli\u003eThings Ain't What They Used To Be\u003c\/li\u003e\n\u003cli\u003eI Got It Bad And That Ain't Good\u003c\/li\u003e\n\u003cli\u003eBand Call\u003c\/li\u003e\n\u003cli\u003eHymn To Freedom \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: 1962 December 15 \u0026amp; 16\u003c\/li\u003e\n\u003cli\u003eLocation: Los Angeles, CA\u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: Side A: 01-001392 \/ Side B: 01-001393\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Val Valentin\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDirector of Engineering: Norman Granz\u003c\/li\u003e\n\u003cli\u003eProducer: Norman Granz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH OF THE ORIGINAL TAPE BOX\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF OSCAR PETERSON(UNKNOWN PHOTOGRAPHER\/GETTY IMAGES)\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE B, TRACK 5: \"HYMN TO FREEDOM\"\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57154927493451,"sku":"su12_peterson_nighttrain","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":57154927526219,"sku":"su12_peterson_nighttrain-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition14_oscarpetersontrio-3-1600.jpg?v=1711355013"},{"product_id":"archival-tape-edition-no-15-louis-armstrong-meets-oscar-peterson","title":"Archival Tape Edition No. 15 § Louis Armstrong meets Oscar Peterson","description":"\u003cp\u003e\u003cspan\u003eNorman Granz signed Armstrong to his Verve roster and placed him with label hero Oscar Peterson's trio, augmented by Bellson, for these 2 relaxed, unhurried sessions r\u003c\/span\u003e\u003cspan\u003eecorded on October 14, 1957\u003c\/span\u003e\u003cspan\u003e first issued on LP in 1959. Undoubtedly, 1957 was a momentous year for the 56-year old Satchmo. It encompassed his major Musical Autobiography recordings, the various Ella and Louis sessions, the Porgy and Bess album and sundry other band releases, plus the tyranny of his perpetual round of one-nighters, so he probably relished this chance to sit down with Peterson, his trumpet mostly untouched, taking it relatively easy, his peerless, husky vocals uppermost. While Peterson fans saw this combination with Armstrong as a backward step given his usual association with the top modern stars of the day, there's plenty here to applaud nonetheless. Just to hear Armstrong handle \u003cem\u003e\"Blues In The Night\"\u003c\/em\u003e,  complete with its beautifully balanced trumpet solo, is enough to justify Granz's original idea.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrumpet: Louis Armstrong\u003c\/li\u003e\n\u003cli\u003ePiano: Oscar Peterson\u003c\/li\u003e\n\u003cli\u003eGuitar: Herb Ellis\u003c\/li\u003e\n\u003cli\u003eBass: Ray Brown\u003c\/li\u003e\n\u003cli\u003eDrums: Louie Bellson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThat Old Feeling\u003c\/li\u003e\n\u003cli\u003eLet's Fall In Love\u003c\/li\u003e\n\u003cli\u003eI'll Never Be The Same\u003c\/li\u003e\n\u003cli\u003eBlues In The Night\u003c\/li\u003e\n\u003cli\u003eHow Long Has This Been Going On?\u003c\/li\u003e\n\u003cli\u003eI Was Doing All Right\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eWhat's New?\u003c\/li\u003e\n\u003cli\u003eMoon Song\u003c\/li\u003e\n\u003cli\u003eJust One Of Those Things\u003c\/li\u003e\n\u003cli\u003eThere's No You\u003c\/li\u003e\n\u003cli\u003eYou Go To My Head\u003c\/li\u003e\n\u003cli\u003eSweet Lorraine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: October 14, 1957\u003c\/li\u003e\n\u003cli\u003eLocation: Capitol Studios, Los Angeles\u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: Side A: 01-001106 \/ Side B: 01-001107\u003c\/li\u003e\n\u003cli\u003eProducer: Norman Granz\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA RISOGRAPH OF THE ORIGINAL TAPE BOX\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF LOUIS ARMSTRONG AND OSCAR PETERSON AFTER AN ORIGINAL PHOTOGRAPH FROM PHIL STERN\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 6: „I WAS DOING ALRIGHT“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":58053675024715,"sku":"su12_armstrong\u0026peterson","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":58053675057483,"sku":"su12_armstrong\u0026peterson-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition15_louisarmstrongmeetsoscarpeterson-2-1600.jpg?v=1711355319"},{"product_id":"archival-tape-edition-no-16-sarah-vaughan-sarah-vaughan","title":"Archival Tape Edition No. 16 § Sarah Vaughan \/ Sarah Vaughan","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Sarah Vaughan\"\u003c\/em\u003e is a legendary 1955 jazz album featuring singer Sarah Vaughan and trumpeter Clifford Brown, released in Mono on the EmArcy label. It was the only collaboration between the two musicians. The album was Vaughan's own favorite among her works through 1980 and was inducted into the Grammy Hall of Fame in 1999. Sarah Vaughan was overwhelmingly a critical success. Contemporary critics were enthusiastic, with Billboard opening, \u003cem\u003e\"Here are nine examples of Sarah Vaughan's vocal gifts. Her individual phrasing, her highly distinctive mannerisms are in the grooves. [...] For the dealer with any jazz trade at all, this package is virtually a must.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"border: 1px solid #666; padding: 0.5em; margin-bottom: 4em;\"\u003eWhat exactly does it mean if a MASTERCUT EDITION is cut from a MONO tape? This means that the left and right channel of our high end cutting head engraves the identical (MONO) information into the lacquer blank. The full potential of your record can be enjoyed with your standard stereo turntable setup.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVocals: Sarah Vaughan\u003c\/li\u003e\n\u003cli\u003eTrumpet: Clifford Brown\u003c\/li\u003e\n\u003cli\u003eTenor Saxophone: Paul Quinichette\u003c\/li\u003e\n\u003cli\u003ePiano: Jimmy Jones\u003c\/li\u003e\n\u003cli\u003eDouble Bass: Joe Benjamin\u003c\/li\u003e\n\u003cli\u003eFlute: Herbie Mann\u003c\/li\u003e\n\u003cli\u003eDrums: Roy Haynes\u003c\/li\u003e\n\u003cli\u003eArranged \u0026amp; Conducted by Ernie Wilkins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eLullaby Of Birdland\u003c\/li\u003e\n\u003cli\u003eApril In Paris\u003c\/li\u003e\n\u003cli\u003eHe's My Guy\u003c\/li\u003e\n\u003cli\u003eJim\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eYou're Not The Kind\u003c\/li\u003e\n\u003cli\u003eEmbraceable You\u003c\/li\u003e\n\u003cli\u003eI'm Glad There Is You\u003c\/li\u003e\n\u003cli\u003eSeptember Song\u003c\/li\u003e\n\u003cli\u003eIt's Crazy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: December 18, 1954\u003c\/li\u003e\n\u003cli\u003eLocation: Fine Recording Studio, New York City\u003c\/li\u003e\n\u003cli\u003eOriginal tape numbers: Side A: 01-026515 \/ Side B: 01-026516\u003c\/li\u003e\n\u003cli\u003eProducer: Bob Shad \/ Quincy Jones\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA RISOGRAPH OF THE RECORDING INFORMATION\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF SARAH VAUGHAN AFTER AN ORIGINAL PHOTOGRAPH FROM BOB PARENT\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 4: „JIM“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVINGROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57784109171019,"sku":"su12_sarah_vaughan","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":57784109203787,"sku":"su12_sarah_vaughan-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltapeedition16_sarahvaughan-2-1600.jpg?v=1711355631"},{"product_id":"live-recording-edition-no-3-jack-savoretti-live-at-supersense","title":"LIVE RECORDING EDITION NO. 3 § JACK SAVORETTI \/ LIVE AT SUPERSENSE","description":"\u003cp\u003eWe are very proud to add Jack Savoretti as the third artist to our bespoke Mastercut Live Recording Series. This time the intimate recording took place in the living room of our artist apartment Top 5, one floor above the Mastercut cutting room \/ studio in the presence of only 15 friends.\u003c\/p\u003e\n\u003cp\u003eJack remembers that night:\u003cbr\u003e\u003cem\u003e\"On Thursday 25th April, in front of an intimate audience in Vienna, I performed a Mastercut Live Recording. In a world where the endless, flawless curation of music is served up by algorithms, through the medium of the \"Mastercut\" and his Live Recording initiative, the man credited with the comeback of the Polaroid, Florian “Doc” Kaps has found a way to reintroduce the tactile experience of music. My performance in April was mixed on the fly and recorded directly onto analogue tape. From this one of a kind mastertape, each copy was then cut in real time. There was no editing, no fixing, no auto tune; just me, my old friend Shannon on piano, the needle and the music. With Mastercut Editions, Doc has masterminded the preservation of the highest and purest quality of an original recording, enabling fans and music lovers to experience it in all its fragility.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePro tip: By listening to this latest Mastercut with your eyes closed, you will be instantly transported into the cosy living room where it was originally recorded, only a few centimeters away from Jack's guitar and Shannon's piano. Warning - Jack's extraordinary voice will directly hit into the very centre of your soul!!!\u003c\/p\u003e\n\u003cp\u003eA big thank you to Jack, Shannon and their whole team for adding this incredible Edition to our magical MASTERCUT dream!!!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAll Songs performed live at Supersense on April 25th, 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusicians:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJack Savoretti (Vocals, Guitar) \u003c\/li\u003e\n\u003cli\u003eShannon Harris (Piano, Vocals)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCandlelight\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ewritten by Jack Savoretti, Joel Pott \/ published by BMG Rights Management (UK)\u003c\/em\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhat more can I do\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ewritten by Jack Savoretti, Pedro Vito, Sebastian Sternberg, Davide Rossi \/ published by BMG Rights Management (UK)\u003c\/em\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHome\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ewritten by Jack Savoretti, Pedro Vito, Sebastian Sternberg \/ published by BMG Rights Management (UK)\u003c\/em\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSide B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComo Posso Raccontare\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ewritten by Jack Savoretti and Simone Zampieri \/ published by Universal Music Italia srL., AMLOR Music Publishing Ltd., Universal Music Publishing\u003c\/em\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCasa Colorata\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ewritten by Jack Savoretti \/ published by AMLOR Music Publishing Ltd.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cvideo controls=\"controls\" style=\"max-width: 100%; height: auto;\"\u003e\n\t\t\t\t\t\t\t\t\u003csource type=\"video\/mp4\" src=\"https:\/\/supersense.com\/mastercut\/assets\/img\/v8\/Supersense_Live-Recording_Online-1280.mp4\"\u003e\u003c\/video\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eList of Booklet content\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA direct Minolta EP 410z copy of the hand written setlist\u003c\/li\u003e\n\u003cli\u003eA Cyanotype after an original photo by Lousy Auber, 2024.\u003c\/li\u003e\n\u003cli\u003eA Polaroid of microscopic view of the real groove, from side A, track 1: \u003cem\u003e\"Candlelight\"\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Risograph print after the original signature of Jack Savoretti\u003c\/li\u003e\n\u003cli\u003eThe ticket to the live recording session, printed with a Heidelberg mill\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"How to caress\"\u003c\/em\u003e, by Florian Doc Kaps. An info sheet about the Supersense Masterrecords and how to care for them.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Project Mastercut\",\u003c\/em\u003e by Florian Doc Kaps. An introduction to the editions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCover: Silk-screen print after an original photograph by Lousy Auber, 2024 \u003c\/p\u003e\n\u003cp\u003ePackaging: Made by Hand at the Supersense Manufactory in Vienna.\u003c\/p\u003e\n\u003cp\u003eSpecial Thanks to Cornelius Ballin for initiating the dream for this magic night.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e*The total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e\n\u003cdiv style=\"text-align: center; margin-top: 3em; margin-bottom: 3em;\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience! \u003c\/div\u003e","brand":"Supersense","offers":[{"title":"Regular Edition","offer_id":50012957311307,"sku":"su12l_jsavoretti","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/Jack1-1600.jpg?v=1741602878"},{"product_id":"archival-tape-edition-no-17-sonny-rollins-on-impulse","title":"Archival Tape Edition No. 17 § Sonny Rollins \/ On Impulse!","description":"\u003cp\u003eWalter Theodore \u003cem\u003e\"Sonny\"\u003c\/em\u003e Rollins, born September 7, 1930, is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians of all times and has been called \"the greatest living improviser\". \u003cbr\u003eAfter a difficult youth with several months in jail, Sonny recorded recorded over sixty albums as a leader in a seven-decade career.  A number of his compositions, including \u003cem\u003e\"St. Thomas\",\u003c\/em\u003e \u003cem\u003e\"Oleo\"\u003c\/em\u003e, \u003cem\u003e\"Doxy\"\u003c\/em\u003e, and \u003cem\u003e\"Airegin\"\u003c\/em\u003e, have become jazz standards. \u003c\/p\u003e\n\u003ch2\u003eSonny Rollins on Impulse!\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003e\"Sonny Rollins on Impulse!\" \u003c\/em\u003eis Rollin's first to be released on the Impulse! label, featuring performances by Rollins with Ray Bryant, Walter Booker and Mickey Roker.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca rel=\"noopener\" href=\"https:\/\/www.allmusic.com\/album\/on-impulse-mw0000188710\" target=\"_blank\"\u003eAllmusic review\u003c\/a\u003e by Thom Jurek states: \u003cem\u003e\"This date is significant for the manner in which Rollins attacks five standards with a quartet.... Sonny Rollins on Impulse! feels as if it were a recording Rollins had to get out of his system. But thank goodness for us because it's a winner through and through.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWe are very proud to welcome Sonny Rollins to our expanding MASTERCUT family with his powerful interpretation of the following classics:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\"On Green Dolphin Street\" \u003c\/em\u003e(Bronislaw Kaper, Ned Washington) - 7:10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Everything Happens to Me\"\u003c\/em\u003e (Tom Adair, Matt Dennis) - 11:14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\"Hold 'Em Joe\"\u003c\/em\u003e (Harry Thomas) - 5:30\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"The Blue Room\"\u003c\/em\u003e (Lorenz Hart, Richard Rodgers) - 3:44\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Three Little Words\"\u003c\/em\u003e (Bert Kalmar, Harry Ruby) - 6:56\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonny Rollins - tenor saxophone\u003c\/li\u003e\n\u003cli\u003eRay Bryant - piano\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWalter Booker - bass\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMickey Roker - drums\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: July 8, 1965\u003c\/li\u003e\n\u003cli\u003eLocation: Van Gelder Studio, Englewood Cliffs, NJ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF A SCAN OF THE TAPE BOX\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF SONNY ROLLINS AFTER AN ORIGINAL PHOTOGRAPH FROM JAN PERSSON\/GETTY IMAGES. SONNY ROLLINS PERFORMING IN COPENHAGEN, DENMARK, 1963.\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „ON GREEN DOLPHIN STREET“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVING ROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":58055062749515,"sku":"su12_sonny_rollins","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":58055062782283,"sku":"su12_sonny_rollins-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/Archival-Tape-Edition_No_17-Sonny-Rollins-3--1600.jpg?v=1726154472"},{"product_id":"archival-tape-edition-no-17-sonny-rollins-on-impulse-usa-edition","title":"Archival Tape Edition No. 17 § Sonny Rollins \/ On Impulse! (USA Edition)","description":"\u003cp\u003eWalter Theodore \u003cem\u003e\"Sonny\"\u003c\/em\u003e Rollins, born September 7, 1930, is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians of all times and has been called \"the greatest living improviser\". \u003cbr\u003eAfter a difficult youth with several months in jail, Sonny recorded recorded over sixty albums as a leader in a seven-decade career.  A number of his compositions, including \u003cem\u003e\"St. Thomas\",\u003c\/em\u003e \u003cem\u003e\"Oleo\"\u003c\/em\u003e, \u003cem\u003e\"Doxy\"\u003c\/em\u003e, and \u003cem\u003e\"Airegin\"\u003c\/em\u003e, have become jazz standards. \u003c\/p\u003e\n\u003ch2\u003eSonny Rollins on Impulse!\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003e\"Sonny Rollins on Impulse!\" \u003c\/em\u003eis Rollin's first to be released on the Impulse! label, featuring performances by Rollins with Ray Bryant, Walter Booker and Mickey Roker.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.allmusic.com\/album\/on-impulse-mw0000188710\" rel=\"noopener\" target=\"_blank\"\u003eAllmusic review\u003c\/a\u003e by Thom Jurek states: \u003cem\u003e\"This date is significant for the manner in which Rollins attacks five standards with a quartet.... Sonny Rollins on Impulse! feels as if it were a recording Rollins had to get out of his system. But thank goodness for us because it's a winner through and through.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWe are very proud to welcome Sonny Rollins to our expanding MASTERCUT family with his powerful interpretation of the following classics:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\"On Green Dolphin Street\" \u003c\/em\u003e(Bronislaw Kaper, Ned Washington) - 7:10\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Everything Happens to Me\"\u003c\/em\u003e (Tom Adair, Matt Dennis) - 11:14\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\"Hold 'Em Joe\"\u003c\/em\u003e (Harry Thomas) - 5:30\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"The Blue Room\"\u003c\/em\u003e (Lorenz Hart, Richard Rodgers) - 3:44\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Three Little Words\"\u003c\/em\u003e (Bert Kalmar, Harry Ruby) - 6:56\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSonny Rollins - tenor saxophone\u003c\/li\u003e\n\u003cli\u003eRay Bryant - piano\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWalter Booker - bass\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMickey Roker - drums\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDate of Recording: July 8, 1965\u003c\/li\u003e\n\u003cli\u003eLocation: Van Gelder Studio, Englewood Cliffs, NJ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\" data-mce-style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF A SCAN OF THE TAPE BOX\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF SONNY ROLLINS AFTER AN ORIGINAL PHOTOGRAPH FROM JAN PERSSON\/GETTY IMAGES. SONNY ROLLINS PERFORMING IN COPENHAGEN, DENMARK, 1963.\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „ON GREEN DOLPHIN STREET“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVING ROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003cli\u003ePROJECT MASTERCUT, BY FLORIAN DOC KAPS. AN INTRODUCTION TO THE MASTERCUT EDITIONS.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\" data-mce-href=\"https:\/\/supersense.com\/mastercut\" target=\"micro\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":50448244539723,"sku":"su12_sonny_rollins_us","price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/Archival-Tape-Edition_No_17-Sonny-Rollins-3--1600.jpg?v=1726154472"},{"product_id":"archival-tape-edition-no-18-charles-mingus-mingus-mingus-mingus-mingus-mingus","title":"Archival Tape Edition No. 18 § Charles Mingus \/ Mingus Mingus Mingus Mingus Mingus","description":"\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"Mingus Mingus Mingus Mingus Mingus\"\u003c\/em\u003e is an iconic  jazz album by Charles Mingus that was recorded in 1963 with a large cast in two sessions (January and September) and released in early 1964. The first session took place at the same time as the recording of Mingus' masterpiece \u003cem\u003e\"The Black Saint and the Sinner Lady\"\u003c\/em\u003e. The album presents a mix of Mingus' original compositions as well as reinterpretations of some of his earlier pieces. It features an impressive variety of styles and influences, including bebop, hard bop, blues and even elements of avant-garde jazz. The musical spectrum on \u003cem\u003e“Mingus Mingus Mingus Mingus Mingus”\u003c\/em\u003e which has been voted one of the 100 best Jazz albums of all times all around the world, ranges from energetic, rousing pieces like \u003cem\u003e“Better Git It in Your Soul” \u003c\/em\u003eto sensitive and lyrical compositions like \u003cem\u003e“Mood Indigo”.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003e\"II B.S.\"\u003c\/em\u003e – 4:43\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"I X Love\"\u003c\/em\u003e – 7:36\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Celia\"\u003c\/em\u003e – 6:10\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Mood Indigo\"\u003c\/em\u003e (Duke Ellington, Barney Bigard) – 4:37\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Better Get Hit In Yo’ Soul\"\u003c\/em\u003e – 6:30\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Theme For Lester Young\"\u003c\/em\u003e – 5:50\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Hora Decubitus\"\u003c\/em\u003e – 4:40\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCharles Mingus – Double Bass\u003c\/li\u003e\n\u003cli\u003eJerome Richardson – Saxophone, Flute\u003c\/li\u003e\n\u003cli\u003eDick Hafer – Tenor Saxophone, Clarinet, Flute\u003c\/li\u003e\n\u003cli\u003eBooker Ervin – Tenor Saxophone (1, 4-7)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEric Dolphy – Alto Saxophone, Flute (1, 4-7)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCharlie Mariano – Alto Saxophone (2, 3)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRolf Ericson – Trumpet (2, 3)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEddie Preston – Trumpet (1, 4-7)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRichard Williams – Trumpet\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBritt Woodman – Trombone (1, 4-7)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eQuentin Jackson – Trombone (2, 3)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDon Butterfield – Tuba\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJaki Byard – Piano\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWalter Perkins – Drums (1, 4-7)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDannie Richmond – Drums (2, 3)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e20. Januar 1963, 20. September 1963\u003c\/li\u003e\n\u003cli\u003eRCA Studios, New York City\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLabel: Impulse! Records\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduction: Bob Thiele\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCollection of carefully produced Edition specials, including but not limited to ...\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF A SCAN OF THE TAPE BOX\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF THE ARTIST\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „II B.S.“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVING ROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":52919432020299,"sku":"su12_charles_mingus","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Second Production Run)","offer_id":52919432053067,"sku":"su12_charles_mingus-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/2025-01-22_ArchivalEdition18.jpg?v=1737639507"},{"product_id":"archival-tape-edition-no-19-the-gil-evans-orchestra-out-of-the-cool","title":"Archival Tape Edition No. 19 § The Gil Evans Orchestra \/ Out Of The Cool","description":"\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"Out of the Cool\"\u003c\/em\u003e by The Gil Evans Orchestra, recorded in 1960 and released on the Impulse! label the following year. The album was one of Impulse!'s first four albums, released together. Gil Evans recorded the album a short time after completing a six-week job at the Jazz Gallery club in New York City; the personnel was largely the same, with Elvin Jones being added.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe music on this album was part of a move by Evans towards greater freedom in his compositions and arrangements, this \u003cem\u003e\"new work integrated the written and improvised, at times allowing the balance to shift imperceptibly\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThe Penguin Guide to Jazz selected this album as part of its suggested \u003cem\u003e\"Core Collection\"\u003c\/em\u003e, calling it \u003cem\u003e\"Evans' masterpiece under his own name and one of the best examples of jazz orchestration since the early Ellington bands\".\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"La Nevada\"\u003c\/em\u003e (Gil Evans) – 15:38\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Where Flamingos Fly\"\u003c\/em\u003e (Elthea Peale, Harold Courlander, John Benson Brooks) – 5:14\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Bilbao Song\"\u003c\/em\u003e (Bertolt Brecht, Kurt Weill) – 4:13\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Stratusphunk\"\u003c\/em\u003e (George Russell) – 8:04\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Sunken Treasure\"\u003c\/em\u003e (Evans) – 4:16\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGil Evans – piano\u003c\/li\u003e\n\u003cli\u003eJohnny Coles – trumpet (soloist)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePhil Sunkel – trumpet\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eKeg Johnson – trombone\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJimmy Knepper – trombone\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTony Studd – bass trombone (soloist)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBill Barber – tuba\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRay Beckenstein – alto saxophone, flute, piccolo\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEddie Caine – alto saxophone, flute, piccolo\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBudd Johnson – tenor saxophone, soprano saxophone (soloist)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBob Tricarico – flute, piccolo, bassoon\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRay Crawford – guitar (soloist)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRon Carter – bass\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eElvin Jones – drums, percussion\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCharlie Persip – drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eNovember 18 \u0026amp; 30, December 10 \u0026amp; 15, 1960\u003c\/li\u003e\n\u003cli\u003eVan Gelder Studio, Englewood Cliffs, New Jersey\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLabel: Impulse! Records\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduction: Creed Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT LIST\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCollection of carefully produced Edition specials, including but not limited to ...\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA MINOLTA EP415Z COPY OF A SCAN OF THE TAPE BOX\u003c\/li\u003e\n\u003cli\u003eA CYANOTYPE OF THE ARTIST\u003c\/li\u003e\n\u003cli\u003ePOLAROID OF MICROSCOPIC VIEW OF THE REAL GROOVE, FROM SIDE A, TRACK 1: „\u003cspan\u003e\u003cem\u003eLA NEVADA\u003c\/em\u003e\u003c\/span\u003e“\u003c\/li\u003e\n\u003cli\u003eA RISOGRAPH AFTER AN ORIGINAL PHOTO OF THE SUPERSENSE LIVING ROOM STUDIO.\u003cbr\u003ePHOTOGRAPHER: ÁKOS BURG, 2021.\u003c\/li\u003e\n\u003cli\u003eHOW TO CARESS, BY FLORIAN DOC KAPS. AN INFO SHEET ABOUT THE SUPERSENSE MASTER RECORDS AND HOW TO CARE FOR THEM.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":52919443194187,"sku":"su12_gilevans_orchestra","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Second Production Run)","offer_id":52919443226955,"sku":"su12_gilevans_orchestra-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/2025-01-22_ArchivalEdition19.jpg?v=1737639132"},{"product_id":"archival-tape-edition-no-20-the-velvet-underground-nico","title":"Archival Tape Edition No. 20 § The Velvet Underground \u0026 Nico","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e“Modern music begins with The Velvets.”\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e– Lester Bangs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWhen The Velvet Underground \u0026amp; Nico album was released in March 1967 on Verve Records, with its Andy Warhol-designed, peel-off banana cover, it was far from a chart-topper. In fact, as the famed quote attributed to Brian Eno famously put it, the album may not have sold many copies, \u003cem\u003e“but everyone who bought it formed a band.”\u003c\/em\u003e And its reputation as a groundbreaker has only increased over the six decades since its original release.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eThe Velvet Underground \u0026amp; Nico album has achieved many honours since its release;. The Observer placed it number 1 in 50 Albums that Changed the World Uncut placed it a number 1 of 100 Greatest Debut Albums and was placed in the top 10 of Mojo’s 100 Greatest albums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003eGlobally, the album is seen just like Sgt. Pepper’s and Pet Sounds, as a seminal, influential high-water mark in rock music history.\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003ePlease be prepared to dive into the strange world of The Velvet Underground deeper than you ever did. It is a very rough and radical recording with many disturbing experiences, shaking your whole body up side down. Definitely  not a smooth easy listening experience but for sure the closest you will ever be able to dive into this revolutionary spirit of music and art.\u003c\/div\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Sunday Morning\"\u003c\/em\u003e (Reed, Cale) – 2:56\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"I'm Waiting for the Man\"\u003c\/em\u003e  – 4:39\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003e\"Femme Fatale\"\u003c\/em\u003e - 2:38\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003e\"Venus in Furs\"\u003c\/em\u003e - 5:12\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003e\"Run Run Run\"\u003c\/em\u003e - 4:22\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"\u003cem\u003eAll Tomorrow’s Parties\"\u003c\/em\u003e -  6:00\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"Heroin\"\u003c\/em\u003e  – 7:12\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"There She Goes Again\"\u003c\/em\u003e – 2:41\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cem\u003e\"I’ll Be Your Mirror\"\u003c\/em\u003e – 2:14\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003e\"\u003cmeta charset=\"UTF-8\"\u003eThe Black Angel’s Death Song\"\u003c\/em\u003e (Reed, Cale) - 3:11\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"European Son\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e (Reed, Cale, Morrison, Tucker) – 7:46\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eJohn Cale – electric viola, bass, piano\u003c\/li\u003e\n\u003cli\u003eSterling Morrison – rhythm guitar, bass\u003c\/li\u003e\n\u003cli\u003eLou Reed – vocals, lead guitar, ostrich guitar\u003c\/li\u003e\n\u003cli\u003eMaureen Tucker – percussion, drums\u003c\/li\u003e\n\u003cli\u003eNico – vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eApril 1966 – November 1966\u003c\/li\u003e\n\u003cli\u003eScepter Studios - Manhatten, TTG Studios - LA, Mayfair Recording Studios - Manhattan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLabel: Verve Records\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduction: Andy Warhol \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eBOOKLET CONTENT\u003cbr\u003e\u003c\/strong\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"2026 Q2 Re-Production Run","offer_id":57388034457931,"sku":"su12_velvetugroundnico","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEdition2o-3.jpg?v=1747915370"},{"product_id":"archival-tape-edition-no-21-the-band-the-band","title":"Archival Tape Edition No. 21 § The Band - The Band","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003eKnown to fans and collectors alike as \"The Brown Album\", The Band's second studio release arrived on September 22, 1969, via Capitol Records - less an album than a sepia-toned scrapbook of mythic Americana.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eIn the liner notes to the 2000 reissue, music historian Rob Bowman frames it as a kind of concept album, though not in the strict sense. Rather, these songs feel like dispatches from a half-remembered past: dusty rail towns, failing harvests, Civil War ghosts, and bar room philosophers.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eTracks like “The Night They Drove Old Dixie Down” and “King Harvest (Has Surely Come)” hum with the weight of history, while “Jawbone,” with its off-kilter 6\/4 rhythm, teeters like a drunk trying to dance and testify at the same time.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThe Band wasn't just chronicling a bygone America - they were conjuring it.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Across the Great Divide\"\u003c\/em\u003e - 2:53\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Rag Mama Rag\"  -\u003c\/em\u003e 3:04\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"The Night They Drove Old Dixie Down\"\u003c\/em\u003e - 3:33\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"When You Awake\"\u003c\/em\u003e (Manuel, Robertson) - 3:13\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Up on Cripple Creek\"\u003c\/em\u003e - 4:34\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Whispering Pines\"\u003c\/em\u003e (\u003cspan\u003eManuel, Robertson\u003c\/span\u003e) - 3:58\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Jemima Surrender\"\u003c\/em\u003e  (Helm, Robertson) - 3:31\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003e \u003cem\u003e\"Rockin' Chair\" \u003c\/em\u003e- 3:43\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Look Out Cleveland\" - \u003c\/em\u003e 3:09\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"Jawbone\"\u003c\/em\u003e (Manuel, Robertson) - 4:20\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003e\"The Unfaithful Servant\"\u003c\/em\u003e - 4:17\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003e\"King Harvest (Has Surely Come)\"\u003c\/em\u003e - 3:39\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRick Danko – bass guitar, fiddle, trombone, vocals\u003c\/li\u003e\n\u003cli\u003eLevon Helm – drums, mandolin, rhythm guitar, vocals\u003c\/li\u003e\n\u003cli\u003eGarth Hudson – organ, clavinet, piano, accordion, melodica \u0026amp; more\u003c\/li\u003e\n\u003cli\u003eRichard Manuel – piano, drums, baritone saxophone, harmonica, vocals\u003c\/li\u003e\n\u003cli\u003eRobbie Robertson – electric and acoustic guitars\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMay – June 1969\u003c\/li\u003e\n\u003cli\u003ePool house in Holywood Hills - California, The Hit Factory - New York City\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLabel: Capitol\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduction: John Simon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57784086266187,"sku":"su12_theband","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":57784086298955,"sku":"su12_theband-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/Archival_Tape_Edition_21-3.jpg?v=1747917929"},{"product_id":"archival-tape-edition-no-22-james-brown-live-at-the-apollo","title":"Archival Tape Edition No. 22 § James Brown - Live At The Apollo","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"UTF-8\"\u003eThis recording captures one of the most iconic live performances in music history: \u003cem data-start=\"146\" data-end=\"180\"\u003eJames Brown—Live at the Apollo\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eRecorded in 1962, this electrifying set showcases the Godfather of Soul at the height of his powers. From the explosive energy of the opening to the raw emotion in every note, Brown delivers a masterclass in live performance.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis edition preserves the original analog magic in stunning fidelity, carefully transferred from archival sources. It's more than a concert — it's a sonic time capsule of pure, unfiltered soul. A must-have for anyone who wants to feel what it was like to be there, front row, in the heart of the Apollo.\u003c\/p\u003e\n\u003cdiv class=\"gmail_default\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A \u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\"Introduction by Fats Gonder\/Opening Fanfare\"\u003c\/li\u003e\n\u003cli\u003e\"I'll Go Crazy\"\u003c\/li\u003e\n\u003cli\u003e\"Try Me\"\u003c\/li\u003e\n\u003cli\u003e\"Instrumental Bridge #1\"\u003c\/li\u003e\n\u003cli\u003e\"Think\"\u003c\/li\u003e\n\u003cli\u003e\"Instrumental Bridge #1\"\u003c\/li\u003e\n\u003cli\u003e\"I Don't Mind\"\u003c\/li\u003e\n\u003cli\u003e\"Instrumental Bridge #1\"\u003c\/li\u003e\n\u003cli\u003e\"Lost Someone - Part 1\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B \u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\"Lost Someone - Part 2\"\u003c\/li\u003e\n\u003cli\u003e\"Medley: Please Please Please\/You've Got The Power\/I Found Someone\"\u003c\/li\u003e\n\u003cli\u003e\"Night Train\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVocals: James Brown\u003c\/li\u003e\n\u003cli\u003eBacking Vocals: Bobby Byrd, Bobby Bennett, \"Baby\" Lloyd Stallworth\u003c\/li\u003e\n\u003cli\u003eTrumpet: Lewis Hamlin, Roscoe Beck, Teddy Washington\u003c\/li\u003e\n\u003cli\u003eTrombone: Dickie Wells\u003c\/li\u003e\n\u003cli\u003eAlto Saxophone: William \"Po' Devil\" Burgess\u003c\/li\u003e\n\u003cli\u003eTenor Saxophone: St. Clair Pinckney, Clifford \"Ace King\" MacMillan\u003c\/li\u003e\n\u003cli\u003eTenor \u0026amp; Baritone Saxophone: Al \"Brisco\" Clark\u003c\/li\u003e\n\u003cli\u003eGuitar: Les Buie\u003c\/li\u003e\n\u003cli\u003eOrgan: Lucas \"Fats\" Gonder\u003c\/li\u003e\n\u003cli\u003eBass Guitar: Hubert Perry\u003c\/li\u003e\n\u003cli\u003eDrums: Clayton Fillyau\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eOctober 24th 1962\u003c\/li\u003e\n\u003cli\u003eApollo Theatre, New York City\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eCUTTING ENGINEER NOTES\u003c\/strong\u003e\n\u003cdiv style=\"margin-top: 1em; margin-bottom: 2em; padding: 0.8em; border: 1px solid #ccc;\"\u003eYou will notice that the track “Lost Someone” is the last of Side A as well as the first of Side B. This nearly 11-minute track is actually cut into two pieces, and there is not even a fade-out and fade-in to make the transition smoother.\u003cbr\u003e\u003cbr\u003ePlease note that this is just how it is on the original master tape for this record. We don’t know the reason for this, maybe the tape ran out during the original recording and the engineer had to put on a new reel in the middle of the song. Or someone decided in post-production to split the track in order to achieve a more even distribution of playing time per side. Maybe this was deemed a better solution than re-arranging track order, disturbing the dramatic structure of the live event.\u003cbr\u003e\u003cbr\u003eAs always, with Mastercut you get the authentic experience of the original master tape, even if this means having to get out of your chair and turn the record over in the middle of an epic piece of music…!\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp style=\"margin-bottom: 0.5em;\"\u003e\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":52634360906059,"sku":"su12_jamesbrown-apollo","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/Archival-Tape-Edition-Nr.-22-2-1600.jpg?v=1752159515"},{"product_id":"archival-tape-edition-no-23-carlos-kleiber-vienna-philharmonic-beethoven-symphony-no-7","title":"Archival Tape Edition No. 23 § Carlos Kleiber \/ Wiener Philharmoniker § Beethoven: No. 7","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe highly acclaimed yet elusive Austrian conductor Carlos Kleiber (Karl Ludwig Kleiber) only recorded 9 studio recordings in his 5-decades career.\u003cbr\u003e\u003cbr\u003eA perfectionist in extremis, Carlos Kleiber disliked recordings. He's quoted saying that \u003cem\u003e\"every unproduced record is a good record\"\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eThose he made have come to occupy a special place in the medium's history:\u003cbr\u003eHis recordings of Beethoven's 5th and 7th symphonies featuring the Wiener Philharmoniker are hailed as among the most outstanding classical recordings ever made.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-bottom: 2em;\"\u003eOriginal Title:\u003cbr\u003e\u003cstrong\u003eBeethoven: Symphonie Nr. 7 A-dur Op. 92\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFirst Movement: Poco Sostenuto – Vivace\u003c\/li\u003e\n\u003cli\u003eSecond Movement: Allegretto\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThird Movement: Presto – Assai Meno Presto\u003c\/li\u003e\n\u003cli\u003eFourth Movement: Allegro Con Brio\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eConductor: Carlos Kleiber\u003c\/li\u003e\n\u003cli\u003eOrchestra: Wiener Philharmoniker\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e26–29 November 1975 and 16 January 1976\u003c\/li\u003e\n\u003cli\u003eMusikverein, Vienna\u003c\/li\u003e\n\u003cli\u003eTape Number: 2530 706 A\/B\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Klaus Scheibe\u003c\/li\u003e\n\u003cli\u003eRecording Director: Hans Weber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":56263884177739,"sku":"su12_kleiber-beethoven","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Second Production Run)","offer_id":56263884210507,"sku":"su12_kleiber-beethoven-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/23__DSC6448-1600.jpg?v=1760014834"},{"product_id":"archival-tape-edition-no-24-david-oistrakh-wiener-symphoniker-bach-violin-concertos","title":"Archival Tape Edition No. 24 § David Oistrakh \/ Wiener Symphoniker § Bach: Violin Concertos","description":"\u003cdiv\u003eThe recording of Bach's Violin Concertos in A minor (BWV 1041) and E major (BWV 1042) with David Oistrakh is regarded by critics as a benchmark among classic interpretations of these works.\u003cbr\u003e\u003cbr\u003eCharacteristic are Oistrakh's full, sonorous tone and his noble legato phrasing.\u003cbr\u003eThe A minor Concerto surges with drive and drama, its central Andante shaped into a deeply expressive song without words.\u003cbr\u003eIn the radiant E major Concerto, Oistrakh balances dazzling virtuosity with lyrical tenderness, revealing Bach's perfect union of clarity and soul.\u003cbr\u003e\u003cbr\u003eA landmark recording that speaks to both seasoned connoisseurs and explorers of the timeless beauty of Bach.\u003c\/div\u003e\n\u003cdiv style=\"margin-top: 2em; margin-bottom: 2em;\"\u003eOriginal Title:\u003cbr\u003e\u003cstrong\u003eBach: Violinkonzerte Nr. 1 A-moll und Nr. 2 E-dur\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eViolin Concerto No. 2 in E major, BWV 1042\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFirst Movement: Allegro\u003c\/li\u003e\n\u003cli\u003eSecond Movement: Adagio\u003c\/li\u003e\n\u003cli\u003eThird Movement: Allegro Assai\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eViolin Concerto No. 1 in A minor, BWV 1041\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFirst Movement: without tempo indication\u003c\/li\u003e\n\u003cli\u003eSecond Movement: Andante\u003c\/li\u003e\n\u003cli\u003eThird Movement: Allegro Assai\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDavid Oistrakh, Georg Fischer, Wiener Symphoniker\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJune 2, 3 and 4, 1962\u003c\/li\u003e\n\u003cli\u003eMozartsaal, Konzerthaus, Vienna\u003c\/li\u003e\n\u003cli\u003eTape Number: \u003cbr\u003eSide A: 18820 A2\/B1\u003cbr\u003eSide B: 18820 A1\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Günter Hermans\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":56914902516043,"sku":"su12_oistrakh-bach-1","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"Reservation (Next Production Run)","offer_id":56914902548811,"sku":"su12_oistrakh-bach-reservation","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/24__DSC6418-1600.jpg?v=1760014930"},{"product_id":"archival-tape-edition-no-25-bud-powell-the-genius-of-bud-powell","title":"Archival Tape Edition No. 25 § Bud Powell: The Genius of Bud Powell","description":"\u003cdiv\u003eBud Powell stands as one of the towering figures of modern jazz piano, a musician whose brilliance helped define the bebop language.\u003c\/div\u003e\n\u003cdiv\u003e\"The Genius Of Bud Powell\" - originally titled \"Bud Powell's Moods\" captures him at a creative peak, distilling his fiery improvisations and lyrical sensibility into a body of work that remains a touchstone for generations.\u003c\/div\u003e\n\u003cdiv\u003eEvery note carries both urgency and grace, a reflection of Powell’s turbulent life and transcendent artistry.\u003c\/div\u003e\n\u003cdiv\u003eFew recordings better embody the spirit of bebop while revealing the depth of one of jazz's most essential voices.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eParisienne Thorofare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eOblivion\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eDusk in Sandi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eHallucinations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe Fruit\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eTea For Two\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eHallelujah\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe Last Time I Saw Paris\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eJust One Of Those Things\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eA Nightingale Sang In Berkeley Square\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBud Powell (piano), Ray Brown (bs), Buddy Rich (dr)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1950, 1951\u003c\/li\u003e\n\u003cli\u003eProducer: Norman Granz\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience. \u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":55930177421643,"sku":"su12_bud-powell","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEditionNr.25-7.jpg?v=1764093253"},{"product_id":"archival-tape-edition-no-26-quincy-jones-the-birth-of-a-band","title":"Archival Tape Edition No. 26 § Quincy Jones \"The Birth Of A Band!\"","description":"\u003cdiv\u003eThe Birth of a Band! (1959) is a landmark Quincy Jones album that captures his early mastery as a big-band arranger and bandleader.\u003c\/div\u003e\n\u003cdiv\u003eRecorded in New York with a stellar lineup—including Clark Terry, Phil Woods, Zoot Sims, Benny Golson, and Harry \"Sweets\" Edison—it showcases Jones's ability to blend hard-swinging big-band jazz with soulful, modern sensibilities.\u003c\/div\u003e\n\u003cdiv\u003eIn terms of his musical heritage, this record is foundational: it marks his first major big-band statement on Mercury Records and foreshadows his later work fusing jazz, orchestral writing, and popular music.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe Birth Of A Band\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eMoanin'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eI Remember Clifford\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eAlong Came Betty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eTickle Toe\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eHappy Faces\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eWhisper Not\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe Gypsy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eA Change Of Pace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eTuxedo Junction\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eHarry 'Sweets' Edison, Joe Newman, Ernie Royal, Clark Terry, Joe Wilder, \u003ci\u003e\u003cb\u003etrumpet\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eBilly Byers, Jimmy Cleveland, Urbie Green, Quentin Jackson, Melba Liston, Tom Mitchell, \u003ci\u003e\u003cb\u003etrombone\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cspan lang=\"it-IT\"\u003eJerome Richardson, \u003c\/span\u003e\u003ci\u003e\u003cb\u003eflute, alto, tenor sax, piccolo\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003ePhil Woods, \u003ci\u003e\u003cb\u003ealto sax\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eFrank Wess, \u003ci\u003e\u003cb\u003ealto sax, flute\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eBenny Golson, Budd Johnson, Zoot Sims, Sam 'The Man' Taylor, \u003ci\u003e\u003cb\u003etenor sax\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eDanny Bank, Sahib Shihab, \u003ci\u003e\u003cb\u003ebaritone sax\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eJulius Watkins, \u003ci\u003e\u003cb\u003eFrench horn\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003ePatti Bown, Moe Wechsler, \u003ci\u003e\u003cb\u003epiano\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eKenny Burrell, Les Spann, \u003ci\u003e\u003cb\u003eguitar\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eRay Brown, Milt Hinton, \u003ci\u003e\u003cb\u003ebass\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eJimmy Crawford, \u003ci\u003e\u003cb\u003edrums, woodblock\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eOsie Johnson, Don Lamond, Sam Woodyard, \u003ci\u003e\u003cb\u003edrums\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/i\u003eQuincy Jones, arranger, \u003ci\u003e\u003cb\u003econductor\u003c\/b\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFebruary 9, March 9 \u0026amp; 10, May 26-28, and June 16, 1959\u003c\/li\u003e\n\u003cli\u003eFine Recording, New York City\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: C. Robert Fine\u003c\/li\u003e\n\u003cli\u003eProducer: Jack Tracy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":55930179912011,"sku":"su12_quincy-tboab","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEditionNr.26-10.jpg?v=1764093136"},{"product_id":"archival-tape-edition-no-27-billie-holiday-at-jazz-at-the-philharmonic","title":"Archival Tape Edition No. 27 § Billie Holiday § \"At Jazz At The Philharmonic\"","description":"\u003cdiv\u003e\n\u003cem\u003e\"At Jazz At The Philharmonic\"\u003c\/em\u003e is far more than just a concert recording; it is a document of resistance and the emancipation of jazz, showcasing one of the greatest singers of all time at the peak of her emotional power.\u003cbr\u003eCaptured in 1945 and 1946 across Los Angeles and New York City, these recordings document Billie Holiday at a pivotal peak of raw, transformative emotional power. \u003cbr\u003eProducer Norman Granz successfully elevated jazz from late-night entertainment to a respected, high-art form. Furthermore, these sessions serve as a defiant social document, marking a historic victory against racial segregation in the American concert hall.\u003cbr\u003eThe JATP series by Norman Granz became a cornerstone both artistically and historically for the Verve Label paving the way for one of the most prestigious catalogs in the genre.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBody And Soul (1)\u003c\/li\u003e\n\u003cli\u003eStrange Fruit (1)\u003c\/li\u003e\n\u003cli\u003eTrav'lin' Light (3)\u003c\/li\u003e\n\u003cli\u003eHe's Funny That Way (3)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Man I Love (2)\u003c\/li\u003e\n\u003cli\u003eGee Baby Ain't I Good To You (2)\u003c\/li\u003e\n\u003cli\u003eAll Of Me (2)\u003c\/li\u003e\n\u003cli\u003eBillie's Blues (2)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eTrombone: Trummy Young\u003c\/li\u003e\n\u003cli\u003eTrumpet: Howard McGhee, Joe Guy\u003c\/li\u003e\n\u003cli\u003eAlto Sax: Willie Smith, Georgie Auld\u003c\/li\u003e\n\u003cli\u003eTenor Sax: Wardell Gray, Illinois Jacquet, Charlie Ventura\u003c\/li\u003e\n\u003cli\u003ePiano: Milt Raskin, Kenny Kersey\u003c\/li\u003e\n\u003cli\u003eGuitar: Dave Barbour, Tiny Grimes, Barney Kessel\u003c\/li\u003e\n\u003cli\u003eBass: Charles Mingus, Al McKibbon\u003c\/li\u003e\n\u003cli\u003eDrums: Dave Coleman, J.C. Heard, Jackie Mills\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFebruary 12th, 1945 (1), June 3rd, 1946 (2), October 7th, 1946 (3)\u003c\/li\u003e\n\u003cli\u003eLocation 1: Philharmonic Auditorium , LA \/ 2: Carnegie Hall, NYC \/ 3: Shrine Auditorium, LA\u003c\/li\u003e\n\u003cli\u003eTape Number: 9096A\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: N. A.\u003c\/li\u003e\n\u003cli\u003eProducer: Norman Granz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cstrong\u003e\u003cbr\u003eBOOKLET CONTENT\u003c\/strong\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different productions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/supersense.com\/mastercut\" class=\"btn--secondary\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\" style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":56755686572363,"sku":"su12_billie_holiday_at_jazz_at_phil","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEditionNr.27-4_680a4b51-87d6-4b61-834f-ac5192eb7865.jpg?v=1773663516"},{"product_id":"archival-tape-edition-no-3-john-coltrane-japan-cut-twin-single-side-edition","title":"Archival Tape Edition No. 3 § John Coltrane - A Love Supreme § (Japan Cut Twin Single Side Edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A Love Supreme\"\u003c\/em\u003e is the most famous and successful studio album of jazz saxophonist John Coltrane and still considered his masterpiece. \u003cspan style=\"font-weight: 400;\"\u003eRecorded in December 1964 at Van Gelder Studios in Englewood Cliffs, New Jersey, USA\u003c\/span\u003e, this record has been selected from the Universal Music Archive for our Archival Tape Edition.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eToday we announce our most luxurious MASTERCUT EDITION so far. Celebrating not only one of our most favorite and most successful recordings of all time, \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A Love Supreme\"\u003c\/em\u003e, but also our deep love for JAPAN, famous for the highest quality level in record production globally.\u003c\/p\u003e\n\u003cdiv\u003eThis very special Edition is the first MASTERCUT EDITION produced in JAPAN, by our dear friends from Toyokasei, who allowed us to establish 2 of our all new MASTERCUT cutting lathes in their iconic cutting room at their factory close to Tokyo.\u003cbr\u003e\u003cbr\u003eOn top of that sensational opportunity, we also could convince our friends at the world's last professional lacquer disc producer, Public Records Company, to produce super high end SPECIAL EDITION LACQUERS, just for this edition. These lacquers are only coated on one side, the other metal side we carefully screenprint with an image of the original MASTERTAPE we received from the Universal Archives.\u003cbr\u003e\u003cbr\u003eOf course also our print team spent some extra hours to create a super special Japan inspired packaging for this luxurious high end edition, most importantly an OBI as hommage to Japanese Record culture.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs of today, the following different editions have been released:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePremier Cut: 01-99\u003cbr\u003eUSA Edition: 01-500\u003cbr\u003eJapan Cut Twin Single Side Edition: 01-50\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":56839907737931,"sku":"su12_coltrane_jp_twin_singleside","price":500.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/SRZ_5351_1_c476bde0-a003-4bba-93e7-e43020ba64e4.jpg?v=1773933190"},{"product_id":"archival-tape-edition-no-28-ornette-coleman-free-jazz","title":"Archival Tape Edition No. 28 § Ornette Coleman: Free Jazz","description":"\u003cdiv\u003eRather than easing the listener in, Free Jazz kicks in the doors and refuses to explain itself.\u003cbr\u003eOn this record, Ornette Coleman abandons conventional structure and lets collective improvisation unfold as a single, unbroken event.\u003cbr\u003eTwo quartets collide and converse, producing a sound that feels less composed than discovered, raw and urgently alive.\u003cbr\u003eThe music resists comfort, replacing swing with friction and certainty with risk.\u003cbr\u003eThe album is named after the then-nascent Free Jazz movement and while critics and fans are divided between love and hate, its place in the Olympus of jazz is undisputed.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eORIGINAL TITLE\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\"Free Jazz: A Collective Improvisation\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eA1 Free Jazz (Part 1)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eB1 Free Jazz (Part 2)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBass: Charlie Haden, Scott LaFaro(left)\u003c\/li\u003e\n\u003cli\u003eAlto saxophone: Ornette Coleman (left)\u003c\/li\u003e\n\u003cli\u003eBass clarinet: Eric Dolphy\u003c\/li\u003e\n\u003cli\u003eDrums: Billy Higgins(left), Ed Blackwell\u003c\/li\u003e\n\u003cli\u003eTrumpet: Freddie Hubbard, Don Cherry (left)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eDecember 21st, 1960\u003c\/li\u003e\n\u003cli\u003eLocation: Atlantic Studios, New York City\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Tom Dowd\u003c\/li\u003e\n\u003cli\u003eProducer: Nesuhi Ertegun\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eBOOKLET CONTENT\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003e\u003cstrong\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAs of today, the following different productions have been released:\u003cbr\u003eProduction Run #1: 01-50\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"Default Title","offer_id":57079301734731,"sku":"su12_ornette_coleman_fj","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltape_28-2-1600.jpg?v=1776757046"},{"product_id":"archival-tape-edition-no-29-glenn-gould-bach-the-goldberg-variations-1955","title":"Archival Tape Edition No. 29 § Glenn Gould \/ Bach § The Goldberg Variations (1955)","description":"\u003cdiv\u003eGlenn Gould's legendary recording of the Goldberg Variations by Johann Sebastian Bach is widely regarded as one of the most influential piano recordings of the 20th century. With remarkable clarity, unconventional tempos, and a deeply personal interpretation, Gould transforms this Baroque masterpiece into something strikingly modern. A recording that continues to captivate both purists and new listeners alike.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eVariations Nos. 1 Through 16\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eVariations Nos. 17 Through 30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePiano: Glenn Gould\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJune 6 (test recordings)\/14–16, 1955\u003c\/li\u003e\n\u003cli\u003eLocation: Columbia 30th Street Studio, New York City\u003c\/li\u003e\n\u003cli\u003eTape numbers: Side 1 | 579164, Side 2 | 579155\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Fred Plaut, Robert Waller\u003c\/li\u003e\n\u003cli\u003eProducer: Howard Scott\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eBOOKLET CONTENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57458453545291,"sku":"su12_glenn_gould_bach_goldberg","price":500.0,"currency_code":"EUR","in_stock":false},{"title":"2026-08 Re-Production Run","offer_id":58043032797515,"sku":"su12_glenn_gould_bach_goldberg","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/archivaltape_29-8.jpg?v=1776758610"},{"product_id":"archival-tape-edition-no-30-keith-jarrett-bop-be","title":"Archival Tape Edition No. 30 § Keith Jarrett: Bop-Be","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003ci\u003eBop-Be\u003c\/i\u003e captures Keith Jarrett’s American Quartet at its rawest and least polite. Recorded in 1976, the session trades meditative radiance for pure friction: Jarrett treats the piano like a percussion instrument, intentionally clashing with Dewey Redman’s horn rather than smoothing the way for it. It’s a messy, physical record—and a necessary reminder that post-bop’s forward march was often driven by heat, noise, and sheer confrontation. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eMushi Mushi - Take 3\u003c\/li\u003e\n\u003cli\u003eSilence\u003c\/li\u003e\n\u003cli\u003eBob-Be - Take 2\u003c\/li\u003e\n\u003cli\u003ePyraminds Moving - Take 1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eGotta Get Some Sleep - Take 9\u003c\/li\u003e\n\u003cli\u003eBlackberry Winter - Take 9\u003c\/li\u003e\n\u003cli\u003ePocket Full Of Cherry - Take 5\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePiano: Keith Jarrett\u003c\/li\u003e\n\u003cli\u003eBass: Charlie Haden\u003c\/li\u003e\n\u003cli\u003eDrums: Paul Motian\u003c\/li\u003e\n\u003cli\u003eSaxophone: Dewey Redman\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eOctober 14th - 16th, 1976\u003c\/li\u003e\n\u003cli\u003eLocation: Generation Sound, New York City, NY\u003c\/li\u003e\n\u003cli\u003eTape number:\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Tony May\u003c\/li\u003e\n\u003cli\u003eProducer: Esmond Edwards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eBOOKLET CONTENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57855908512075,"sku":"su12_keith_jarrett_bopbe","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEditionNR.30-4_14c46050-c579-419a-81d6-f38b4fbf50c1.jpg?v=1786955400"},{"product_id":"archival-tape-edition-no-31-mccoy-tyner-trio-reaching-fourth","title":"Archival Tape Edition No. 31 § McCoy Tyner Trio: Reaching Fourth","description":"\u003cdiv\u003e\n\u003cem\u003eReaching Fourth\u003c\/em\u003e is a masterclass in modal architecture. Instead of leaning on typical third-based harmonies, Tyner's left hand hammers stacked fourths that open up vast, uncrowded harmonic space for his right hand to sprint through. Grimes and Haynes respond not by keeping simple meter, but by sculpting a wide pocket around him. It remains the essential playbook for how jazz piano broke free from standard chord progressions into something genuinely spatial.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE A\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eReaching Fourth\u003c\/li\u003e\n\u003cli\u003eGoodbye\u003c\/li\u003e\n\u003cli\u003eTheme For Ernie\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eSIDE B\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eBlues Back\u003c\/li\u003e\n\u003cli\u003eOld Devil Moon\u003c\/li\u003e\n\u003cli\u003eHave You Met Miss Jones\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eMUSICIANS\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBass: Henry Grimes\u003c\/li\u003e\n\u003cli\u003eDrums: Roy Haynes\u003c\/li\u003e\n\u003cli\u003ePiano: McCoy Tyner\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eRECORDED TO TAPE\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eNovember 14th, 1962 (start date)\u003c\/li\u003e\n\u003cli\u003eLocation: Van Gelder Studios, Englewood Cliffs, NJ\u003c\/li\u003e\n\u003cli\u003eTape number:\u003c\/li\u003e\n\u003cli\u003eRecording Engineer: Rudy Van Gelder\u003c\/li\u003e\n\u003cli\u003eProducer: Bob Thiele\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eBOOKLET CONTENT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContaining our traditional collection of all analog print treasures and memorabilia.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e*\u003cem\u003eThe total circulation of this Mastercut release is strictly limited to a maximum total of 999 records. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca class=\"btn--secondary\" href=\"https:\/\/supersense.com\/mastercut\"\u003eLearn more about the Mastercut →\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; border: 1px solid #ff8434; padding: 0.6em;\" class=\"yj6qo\"\u003eDue to the fact that our MASTERCUTS are no stock items but cut piece by piece in real time by a small team here in Vienna, we kindly ask for your understanding that based on the overwhelming global demand for our editions production, assembly and delivery of your very personal MASTERCUT treasures can currently take up to 4 weeks. All orders will be processed in the order received without any exceptions. Thank you so much for your patience.\u003c\/div\u003e","brand":"SUPERSENSE","offers":[{"title":"First Production Run","offer_id":57855933808971,"sku":"su12_mccoy_tyner_trio_reaching","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0520\/0541\/files\/ArchivalTapeEditionNR.31-4_a46753c8-363f-44f9-8535-ae15c9c94088.jpg?v=1786955713"}],"url":"https:\/\/the.supersense.com\/collections\/vip-mastercut-eligible.oembed","provider":"SUPERSENSE","version":"1.0","type":"link"}